Podcast: Ricky Gervais gets the Richard Dawkins award, and the two chat for an hour

June 27, 2023 • 9:15 am

I have to tend rooftop ducks this morning, so posting may be a bit light. As always, I do my best, but ten ducklings and their mom need food and water.

Although I generally avoid watching long videos, I watched this one and highly recommend it.  The occasion was Ricky Gervais getting the 2019 Richard Dawkins Award, bestowed yearly by the Center for Inquiry. I’m not sure why it was posted four years later, but I found it on Dawkins’s Poetry of Reality Substack site along with these brief notes. (UPDATE: I just found that there is a three-year-old video that’s a tad different, with a pre-introduction introduction by CFI President Robyn Blumner. Both videos are otherwise the same.)

The inaugural episode of #ThePoetryOfReality is finally here! Join me & Ricky Gervais, actor, writer, irreverent comedian & poignant tragedian. CFI gave him the 2019 Richard Dawkins Award. Then I had an on-stage conversation with him & Richard Wiseman, psychologist, comedian & conjuror.

Lots of laughs, lots to think about. See for yourself.

Here’s what the award is given for:

The Center for Inquiry presents the Richard Dawkins Award annually to a distinguished individual from the worlds of science, scholarship, education or entertainment, who publicly proclaims the values of secularism and rationalism, upholding scientific truth wherever it may lead.

It has been awarded each year since 2003 and was originally given by the Atheist Alliance of America in coordination with Richard Dawkins and the Richard Dawkins Foundation for Reason & Science (RDFRS). Since 2019, the award has been given exclusively by the Center for Inquiry of which RDFRS is a part. Richard Dawkins must approve the recipient and bestows the award with a personal tribute to the awardee.

The video comprises a really good (and funny) introduction by Dawkins, and then a rousing discussion by Dawkins and Gervais, moderated by an equally lively Richard Wiseman.  Gervais is quick and adept with the impromptu humor, but there’s also some serious discussion of science and atheism. It’s a good package.

Note that Gervais has a beer to quaff during the discussion, an amenity that should be offered to more discussants. It’s a good lubricant for conversation—not that Gervais needs one!

Gervais is a hero of mine: he’s eloquent, funny, and a superb screenwriter and actor (if you haven’t seen “After Life”, do so).  And he doesn’t much care what people think of him. As someone who got that award a while back, I’m really humbled to be in his company—and the company of other recipients, many of whom are also personal heroes, like Christopher Hitchens and Stephen Fry.

Richard’s introduction goes from 1:33 to 11:39, and the rest of the 74-minute video is the discussion. There’s also a brief private intro and outro by Dawkins.  I was surprised at how young the audience was!

The segments (from YouTube). The links go to the right places, but I recommend watching it all.

00:00:00 Prologue
00:01:26 Introduction
00:12:13 Start of Discussion
00:08:04 The Reward Of Living A Good Life And Ricky’s Belief In Kindness
00:12:32 Ricky Gervais: Confronting Evil With Humor
00:17:07 Fear Of Eternity, Not Death
00:20:41 Analogies And Crocodiles
00:26:46 Cloning Mammoths: An Ethical Dilemma
00:31:19 Atheism Perception And Personal Boundaries
00:37:00 The Debate On The Existence Of God And The Category Mistake
00:40:16 The Importance Of Honesty And Bravery In Comedy
00:45:11 Author’s Thoughts On Their Books And Most Original Contribution
00:50:34 The Differences Between The Us And Uk Versions Of The Office

The 2022 Golden Steve Awards

April 2, 2023 • 9:30 am

Each year my nephew Steven, a huge movie buff and critic, presents his own personal list of nominees for the best movies, actors, and scores: the “Golden Steves.” I announced his nominations on March 4, and today we have the WINNERS.

First,  his humble introduction to the awards and the criteria for nomination.

Presenting…the 2022 Golden Steve Awards.

Far and away the most coveted of motion picture accolades, Golden Steves are frequently described as the Oscars without the politics. Impervious to bribery, immune to ballyhoo, unswayed by sentiment, and riddled with integrity, this committee of one might be termed in all accuracy “fair-mindedness incarnate.” Over 200 of the year’s most acclaimed features were screened prior to the compilation of this ballot. First, some caveats:

1) Owing to a lifelong suspicion of prime numbers, each category comprises six nominees, not five.

2) A film can be nominated in only one of the following categories: Best Animated Feature, Best Non-Fiction Film, Best Foreign Language Film. Placement is determined by the Board of Governors. Said film remains eligible in all other fields.

3) This list is in no way connected with the Academy of Motion Picture Arts and Sciences—a fact that should be apparent from its acumen. Please look elsewhere for Oscar analysis.

And now, the worthy honorees:

I’ll list the give nominees and winners in the seven categories I listed a month ago, adding “Best Animated Feature”. At the Golden Steves site, though, you’ll see winners in 12 categories.

And he told me this, which he’s quite proud of:

“I went rogue this year — zero overlap with the Academy!”

Click below to see all the nominees and winners; again I’ll include eight categories. The winners of the Golden Steves are in bold. My own comments are flush left.

Best Picture

Aftersun
Benediction
EO
The Fabelmans
Return to Seoul
Saint Omer

I saw two of these: “EO”, which I find overrated, and “The Fabelmans”, which I also find overrated. I haven’t seen any of the others, though the absence of “Tár” and “The Banishees of Inisherin” is mystifying. Remember, though that these nominations are not to be taken lightly. It’s best if you see them all.

Best Director

Davy Chou, Return to Seoul
Terence Davies, Benediction
Alice Diop, Saint Omer
Jerzy Skolimowski, EO
Steven Spielberg, The Fabelmans
Charlotte Wells, Aftersun

Didn’t see the movie so I missed this performance.

Best Actor

Colin Farrell, The Banshees of Inisherin
Caleb Landry Jones, Nitram
Jack Lowden, Benediction
Paul Mescal, Aftersun
Bill Nighy, Living
Mark Rylance, The Outfit

I saw only Farrell in “Banshees,” which was excellent, but missed the other peformances.

Best Actress
Cate Blanchett, Tar
Danielle Deadwyler, Till
Rebecca Hall, Resurrection
Vicky Krieps, Corsage
Park Ji-min, Return to Seoul
Andrea Riseborough, To Leslie

Saw only Blanchett, whose performance was great.

Best Supporting Actor

Paul Dano, The Fabelmans
Brian Tyree Henry, Causeway
Anthony Hopkins, Armageddon Time
Alex Lutz, Vortex
Matthew Maher, Funny Pages
Ke Huy Quan, Everything Everywhere All at Once

I saw Dano’s and Quan’s performances (though I didn’t watch all of that vastly overrated film “Everything Everywhere All at Once”); missed the others.

Best Supporting Actress

Kerry Condon, The Banshees of Inisherin
Judy Davis, Nitram
Dolly de Leon, Triangle of Sadness
Nina Hoss, Tar
Stephanie Hsu, Everything Everywhere All at Once
Guslagie Malanda, Saint Omer

Saw Condon’s, Hoss’s, and Hsu’s performances.

Best Non-Fiction Film

All That Breathes (Shaunak Sen)
All the Beauty and the Bloodshed (Laura Poitras)
Bad Axe (David Siev)
Moonage Daydream (Brett Morgan)
Three Minutes: A Lengthening (Bianca Stigter)
Young Plato (Declan McGrath, Neasa Ni Chianain)

Sadly, I missed all of these,

I’m adding this category because I did see the winner, and it’s a gorgeous animation. Don’t miss “Marcel the Shell with Shoes On”!

Best Animated Feature

Apollo 10 1/2: A Space Age Childhood (Richard Linklater)
Guillermo del Toro’s Pinocchio (Guillermo del Toro, Mark Gustafson)
Mad God (Phil Tippett)
Marcel the Shell with Shoes On (Dean Fleischer Camp)
My Father’s Dragon (Nora Twomey)
The Sea Beast (Chris Williams)

Feel free to comment on his choices. If you have a beef or question like “why on earth did you nominate this?, put it in the comments, and I’ll ask him to answer.

I will add that Steven’s taste in films is very good (i.e., he’s clued me in to many good movies I’ve missed), so you might look in on the nominees above.

Finally, below is a photo of Steven tucking into a pastrami sandwich at Katz’s Deli in NYC when I took him on a Lower East Side Jewish Eating Tour in 2010. He would have won the award for Best Deli Lunch except he chose a beer as Best Accompanying Beverage, while the real winner should be Dr. Brown’s Cel-Ray Tonic—a celery-flavored soft drink that’s the PERFECT match to corned beef or pastrami sandwiches. (Notice that I have one at lower right.)

ZeFrank’s True Facts Animal Awards

March 27, 2023 • 1:00 pm

There will be no more braining today, as once again I got about two hours of sleep. But believe me, these ZeFrank Animal awards (an 11-minute episode) are better than anything I could produce. As always, I do my best.

The winners (I’ve added some links if you want to read more about the behaviors):

Springtails (good jumpers)
Brachycephalus toads (can’t jump very well)
Leiopelma frogs (can’t jump well, either)
Marmot (?): best “clown shoes” call
Meerkat (gravid)
Greater Sage-Grouse (can’t get a mate)
Leaf beetles and tortoise beetle (keep their own feces and past molts to use as shields)
Leaf beetles in the genus Neoclamisus that are great fecal mimics
Skipper caterpillars that flip their poop far away from their bodies
Glass-winged sharpshooters (leafhoppers) that pee at high speeds with an anal stylus
Asiatic honeybees that repel invading hornets by plastering feces around their nest entrances.

As you see, ZeFrank has a thing for animal excretion.

Discuss: gender-neutral acting awards

March 10, 2023 • 10:00 am

Reader Wayne called my attention to a Washington Times article about how the Oscars are “under pressure to replace actor, actress awards with gender-neutral honors”.  Indeed, the Los Angeles Times, published at the home of the Academy Awards, ran this op-ed (by the whole editorial board) last December (click to read):

The Times article gives the pros and cons in two paragraphs:

The Academy Awards face mounting pressure to follow the Grammys, the MTV Movie & TV Awards, the Gotham Awards and the Independent Spirit Awards by replacing the male and female acting awards with “best performer” or “best performance” as entertainers increasingly identify as nonbinary and transgender.

The trend has opened another front in the debate over fairness versus inclusion, raising concerns that actresses, much like female athletes, may wind up bearing the costs of the campaign to reconfigure sex and gender classifications.

One difference is that almost nobody wants a single category for athletic competitions, while a lot of actors favor eliminating sex-specific awards (see below).

Now if you create just two non-gender-specified awards for winners in categories that were previously “best male” and “best female,” that’s an explicit nod to the sex binary, something that may not fly in today’s woke Hollywood. But that’s what the L.A. Film Critics Association did.

Further, if you create just one award, a lack of gender equity in the industry will mean that it’s likely to go to a male, and that doesn’t look good either. Many people think that in the Oscars, like athletics, women should be given an equal chance to shine. But since there’s no reason that women can’t be as competitive as men in acting (though there may be barriers to success that men don’t face), this is not identical to the situation women face in athletics.

However, the L.A. Times feels that women don’t have equal acting opportunity: even though they make up between 45% and 47% of scripted leads, only 25% of Oscar-winning movies have female leads. The paper still recommends ditching the gender-based solution:

Dissolving gendered categories for Oscars or Emmys would not magically give women parity with men in accessing substantial acting roles and being celebrated for their work. Despite some notable recent gains for women, the entertainment industry is still weighted in favor of men. The last thing we would want to see are nongendered acting categories full of male nominees and winners.

. . .But as Josh Welsh, the president of Film Independent, which puts on the Spirit Awards, said, “Keeping gendered award categories is not a solution to the problem. The change needs to come with diversifying the gatekeepers who make decisions about what films and shows get financed and marketed.”

This assumes, of course, that the gatekeepers are more likely to recognize or nominate acting talent in their own gender or ethnic group. The article continues:

He’s right, but awards still play a part in the ecosystem of Hollywood. An acting award can raise the profile and influence of the winner. It would be unsettling if a new approach to award-bestowing makes it even more difficult for women to win an award and achieve that profile.

But it’s past time to get rid of these categories — and we believe that awards shows can smartly lay out a plan to do that.

In a survey of actors, the NY Times showed them to be split: all favored “inclusivity”, but women in particular expressed worries about being shut out of acting awards.

I don’t have a dog in this fight, so I don’t much care what they do so long as everyone is given equal opportunity to succeed in directing, acting, and so on, and awards are based on merit. There does seem to be something hypocritical in eliminating gendered awards but still retaining two categories. It would seem better that if you don’t want gender categories there should be just one winner.

One difference between acting and athletics, though, is that if you combine the sexes in sports, the winner is invariably going to be male, and the unfairness of that is much more evident than it would be for acting. Given their sterling performances to date (e.g., Cate Blanchett in Tár), surely many women could win a the single acting Oscar.

Another solution is just to eliminate awards altogether, but few would go for that (I wouldn’t care).

So if the Oscars can “smartly lay out a plan” for the Academy Awards that recognizes actors of any gender or sex, what is it to be? Readers?

The 2023 Golden Steve Award nominations

March 4, 2023 • 12:30 pm

Each year (see here) my nephew Steven, a movie buff and critic who proclaims himself a far better judge of cinema than is the Academy of Motion Picture Arts and Sciences, comes up with his equivalent of the Oscars: the renowned “Golden Steve Awards”.  There is no modesty here, but the proclamation of the best of last year’s cinema, bar none. (This dogmatism must run in the family!) He added this in his email:

Here’s this year’s crop. At age 96, Mel Brooks has become my all-time oldest nominee!

The award season begins with his list of nominees, some of which I present here (there are other categories as well). As he notes in his introduction below, the winners will be announced on April 1.

Presenting…the 2022 Golden Steve Awards.

Far and away the most coveted of motion picture accolades, Golden Steves are frequently described as the Oscars without the politics. Impervious to bribery, immune to ballyhoo, unswayed by sentiment, and riddled with integrity, this committee of one might be termed in all accuracy “fair-mindedness incarnate.” Over 200 of the year’s most acclaimed features were screened prior to the compilation of this ballot. First, some caveats:

1) Owing to a lifelong suspicion of prime numbers, each category comprises six nominees, not five.

2) A film can be nominated in only one of the following categories: Best Animated Feature, Best Non-Fiction Film, Best Foreign Language Film. Placement is determined by the Board of Governors. Said film remains eligible in all other fields.

3) This list is in no way connected with the Academy of Motion Picture Arts and Sciences—a fact that should be apparent from its acumen. Please look elsewhere for Oscar analysis.

Winners will be announced on Saturday, April 1. And now, the worthy nominees (click the screenshot to read them all):

The nominees, by category:

Best Picture

Aftersun
Benediction
EO
The Fabelmans
Return to Seoul
Saint Omer

Best Director

Davy Chou, Return to Seoul
Terence Davies, Benediction
Alice Diop, Saint Omer
Jerzy Skolimowski, EO
Steven Spielberg, The Fabelmans
Charlotte Wells, Aftersun

Best Actor

Colin Farrell, The Banshees of Inisherin
Caleb Landry Jones, Nitram
Jack Lowden, Benediction
Paul Mescal, Aftersun
Bill Nighy, Living
Mark Rylance, The Outfit

Best Actress

Cate Blanchett, Tar
Danielle Deadwyler, Till
Rebecca Hall, Resurrection
Vicky Krieps, Corsage
Park Ji-min, Return to Seoul
Andrea Riseborough, To Leslie

Best Supporting Actor

Paul Dano, The Fabelmans
Brian Tyree Henry, Causeway
Anthony Hopkins, Armageddon Time
Alex Lutz, Vortex
Matthew Maher, Funny Pages
Ke Huy Quan, Everything Everywhere All at Once

Best Supporting Actress

Kerry Condon, The Banshees of Inisherin
Judy Davis, Nitram
Dolly de Leon, Triangle of Sadness
Nina Hoss, Tar
Stephanie Hsu, Everything Everywhere All at Once
Guslagie Malanda, Saint Omer

Best Foreign Language Film

EO (Jerzy Skolimowski)
Fabian: Going to the Dogs (Dominik Graf)
No Bears (Jafar Panahi)
Return to Seoul (Davy Chou)
RRR (S.S. Rajamouli)
Saint Omer (Alice Diop)

There are five other categories, and Mel Brooks is nominated for “Best Original Song,” “At the Automat,” The Automat. Here’s the song:

As usual, I’ve seen almost none of the nominated movies or performances. Of all the Best Picture nominees, I’ve seen only “The Fabelmans”, and I thought it was so-so. And where is “Tár”? But Steven’s nominations are not to be sniffed at, for he’s introduced me to many good movies I wouldn’t have seen otherwise (“Tokyo Story” is one).

Of the other movies mentioned for performances, I have seen “Tár”, “The Banshees of Inisherin,”  “Till” (overlooked for Best Film) and “Everything Everywhere All at Once,” which I thought was a stinkeroo and couldn’t finish watching. (I did love “Tár and “The Banshees of Inisherin”.) I want to watch “EO” badly, as it’s been on many best-movie lists, but I haven’t had time.

If you’ve seen any of the nominated films, or want to weigh in on the nominations, please do so below.  And, of course, come back on April 1 to see the winners, which according to Steven represent the genuine best in cinema.

Winners, 2022 underwater photography contest

February 5, 2023 • 1:10 pm

There are all kinds of photography contests, but this one, the Ocean Art Underwater Photo Contest, has produced some of the best images I’ve seen.  You can see the winners by going to the link in the previous sentence and scrolling down.

Alternatively, The Atlantic (click screenshot below) has a summary along with short narratives by the photographers.

I’ll show a few of my favorites; be sure to click on the photos to enlarge them.

Drifter. Honorable Mention, Nudibranchs. © Talia Greis / Ocean Art

Greis: “Almost every year, the coastal shores of Sydney, Australia, receive an influx of blue drifters (also referred to as the ‘Blue Fleet’), which consist of bluebottles, blue buttons, and the infamous Blue Dragon (more commonly referred to as the Glaucus). This magnificent critter is an organism that relies on the wind and ocean currents to carry it around, which sometimes results in heavy storms casting it ashore. The Glaucus is considered to be a type of pelagic nudibranch that devours bluebottles and stores their stinging agents as defense against predators.”

JAC: This is a nudibranch, a shell-less mollusc, Glaucus atlanticus.

Mobula Munkiana. Honorable Mention, Wide Angle. © Adam Martin / Ocean Art

Martin: ” aggregate in large schools off the coast of Baja California Sur, Mexico, each spring, during a period thought to be mating and pupping season. While motoring offshore for a week, our search was guided by breaching rays on the horizon. After many attempts to locate the rays and quietly enter the water, I was able to capture a clean image of this large school.”

JAC: The correct binomial is Mobula munkiana without a capital letter in the second word. It’s also know as the Munk’s devil ray.

Wunderpus. 2nd Place, Compact Macro. © Regie Casia / Ocean Art

Casia: “During a blackwater dive, shot at 25 meters deep over about 1,000 meters of water, we waited for the vertical migration of deep-water creatures.” Photographed in Janao Bay near Anilao, Philippines.

JAC: This appears to be Wunderpus photogenicus (what a great name!), a mimetic octopus.

The Eye. Honorable Mention, Macro. © Kat Zhou / Ocean Art

Zhou: “This photo depicts a close-up look at the eye of a nurse shark and was taken on a night dive off the coast of Bimini in the Bahamas.”

The Hunt. 2nd Place, Wide Angle. © Daniel Nicholson / Ocean Art

Nicholson: “A grey reef shark parts the tide of bait fish. In a very rare occurrence, a large shiver of sharks had herded this school of bait fish into the shallow passageways of the Ningaloo Reef in Australia. With the fish trapped here, nearly a hundred sharks spent hours in a feeding frenzy.”

h/t: Barry

Geological Society of America adds one item to their “rubric” for the Young Scientist Award

February 5, 2023 • 11:30 am

Like many scientific societies, the Geological Society of America (GSA) gives out prizes for scientific achievement. Their awards page lists ten, including the Young Scientist Award, also called the “Donath Medal” after the family that endowed the prize. Here is what the prize is for—contributing to geologic knowledge through your research:

As you see, the criteria are that you have to be 35 or younger and have shown “outstanding achievement in contributing to geologic knowledge through original research that marks a major advance in the earth sciences.”

Apparently, though, this year they added one item to the judging “rubric” (I hate that word) used previously.  Can you guess what that item might be? Stop and think for a second before reading on.

Okay, read on:

Here are the current criteria and evaluation form for the Donath Medal from the GSA’s page. Note that scientific achievement as well a young age are the SOLE criteria for judging the award. But they tweaked “scientific achievement” a bit (bolding is mine):

Overview: Ranking of candidates will consider scientific achievement in contributing to geologic (interpreted to include all Earth science disciplines of GSA) knowledge through original research that marks a major advance in the earth sciences. Significance of scientific achievement and age (<36 yrs) shall be the sole criteria (age evaluated by GSA staff). Appropriate contributions to DEI related to scientific achievement should be considered as an essential part of advancing Earth science disciplines of GSA.

What they’ve apparently done is lumped DEI contributions with real science as a part of “scientific achievement”. You can see that in the numerical evaluation form below. I suspect that a candidate, no matter how impressive their scientific accomplishments, has no chance at the award if they don’t have a decent record of fostering DEI.  This, of course, like the many universities who require DEI statements for hiring or promotion, is a way of turning science into social engineering. Not only that, but a particular and debatable form of social engineering: the creation of equity in all fields of endeavor. And because you must express one point of view to get these prizes, you are the victim of compelled speech.

Characterizing this criterion as part of scientific achievement seems to me clearly duplicitous.  If you’re under 35 and the sole criterion for the award, besides being young, is “scientific achievement”, then you can’t just go tacking Social Justice onto that. DEI efforts, regardless of how much you value them, are not scientific achievements but sociopolitical activities meant to advance an ideological goal.

As Anna commented below (I missed this bit somehow), you can get extra DEI points by “increasing representation of underrepresented groups through their own participation as a member of a URM group. . . “. This means that if you’re a member of an underrepresented minority group, you get extra points just for being who you are. This means it’s easier to win the prize if you’re of a “minoritized” group, making it a somewhat race-based prize.

And this is now the big problem with science. Not only is it being infiltrated by woke ideology to an extent I would have thought impossible, but now that ideology is considered as an essential part of science itself. This is why activists feel empowered to tweak and change scientific truth if it doesn’t comport with their beliefs. One example of this is the pervasive insistence that animals have more than two sexes. (They don’t.) If you can’t see your ideology instantiated in nature, you must find a way to force nature into the Procrustean bed of your ideology.

And you make ideological criteria piggyback on scientific merit. I wonder if the Donath family is down with the new rules. (They’ve also added DEI statements as requirements for other GSA awards.)