There are really more than a week’s worth of Fred Astaire videos worth highlighting, so “Astaire Week” may go on for ten days or so.
This video starts with Astaire, drunk and dolorous, singing, and then segues into a wonderful dance routine where he breaks real glasses (and a mirror) during the dance. It’s said that he cut his ankle quite badly during the filming. As the YouTube notes say:
Fred Astaire dancing and singing to “One for My Baby (and One More for the Road)”. Song written for him to perform in the movie “The Sky’s the Limit” (1943). Words by Johnny Mercer and music by Harold Arlen, dance by Fred Astaire.
The dancing and singing stop at 5:45, so you may want to quit watching at that time.
Dancers and choreographers on Astaire (from WikiQuote):
- He is terribly rare. He is like Bach, who in his time had a great concentration of ability, essence, knowledge, a spread of music. Astaire has that same concentration of genius; there is so much of the dance in him that it has been distilled.
- George Balanchine in Nabokov, Ivan and Carmichael, Elizabeth. “Balanchine, An Interview”. Horizon, January 1961, pp. 44-56. (M)
- He is the most interesting, the most inventive, the most elegant dancer of our times… you see a little bit of Astaire in everybody’s dancing–a pause here, a move there. It was all Astaire’s originally.
- George Balanchine, quoted in Thomas, Bob. Astaire, the Man, The Dancer. Weidenfeld and Nicholson, London, 1985. ISBN 0297784021 p.33.
- What do dancers think of Fred Astaire? It’s no secret. We hate him. He gives us a complex because he’s too perfect. His perfection is an absurdity. It’s too hard to face.
- Mikhail Baryshnikov at the 1978 Kennedy Center Honours for Fred Astaire and George Balanchine, as quoted in Satchell, Tim. Astaire, The Biography. Hutchinson, London. 1987. ISBN 0-09-173736-2 p.255.
- He’s a genius…a classical dancer like I never saw in my life.
- Mikhail Baryshnikov in “Interview with Mike Wallace”, 60 Minutes, CBS Television. February 18, 1979
- He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.
- Rudolph Nureyev quoted in Cooke, Alistair. “Fred Astaire Obituary”, Letter From America, BBC World Service, June 1987
- When I was in the Soviet Union recently I was being interviewed by a newspaperman and he said, “Which dancers influenced you the most?” and I said, “Oh, well, Fred Astaire.” He looked very surprised and shocked and I said, “What’s the matter?” He said, “Well, Mr. Balanchine just said the same thing.”
- Jerome Robbins in Heeley, David, producer and director. Fred Astaire: Puttin’ on his Top Hat and Fred Astaire: Change Partners and Dance (two television programs written by John L. Miller), PBS, March 1980. (M)
- The history of dance on film begins with Astaire.
- Gene Kelly in Heeley, David, producer and director. Fred Astaire: Puttin’ on his Top Hat and Fred Astaire: Change Partners and Dance (two television programs written by John L. Miller), PBS, March 1980. (M)




