An Orthodox Jewish cat?

April 16, 2013 • 11:46 am

Reader “P” sent me a photo of her cat who had crawled into in a plastic bag; the reader assured me that there was no danger involved in this incident:

Here are photos of my kitty sporting her own clear plastic bag.  🙂  Note that this wasn’t staged at all… I was shredding stuff this evening, and she enjoys lolling about in boxes and bags and on paper because it feels warm and cozy.  She’s safe, as I don’t leave her unsupervised with plastic bags.

Cat in Bag 1

My first reaction, of course, was that this cat was an Orthodox Jewish felid in the vicinity of a cemetery. I asked “P” about this, and received this reply:

No, Jerry, she’s not Jewish, just passing.  Her name is Zoe!  Her sister’s name is Zelda, the black one.  It was a very funny coincidence, as I did see your interesting post of the Man in the Bag, hence I took the photos.

Cat in bag 3

And if you’re not having a good day, it’s still better than what this moggie had to face.

Another case of Muslim sex-segregated seating in the UK

April 16, 2013 • 8:40 am

You’ll remember the recent kerfuffle at University College London when a Muslim student group segregated an audience by gender in a debate between Lawrence Krauss and Hamza Tzortzis.  Despite some claims that the segregation was “voluntary,” that appears to be untrue, and the Islamic Education and Research Academy has been barred from hosting further events at UCL.

Now it’s happened again, this time at the University of Leicester. And Tzortzis was involved again. According to the Guardian:

The University of Leicester has launched an investigation into gender segregation at a public lecture held by its student Islamic society.

The talk, entitled Does God Exist?, featured a guest speaker Hamza Tzortzis as part of an Islamic Awareness week. Seating at the event was segregated, with different entrances into the lecture theatre for men and women. . .

In Leicester, more than 100 students attended the segregated event, which took place last month. A photograph passed to the Guardian shows signs put up in a university building, directing the segregation.

A message on the group’s website says: “In all our events, [the society] operate a strict policy of segregated seating between males and females.” The statement was removed after the Guardian contacted the society.

The authorities at Leicester are investigating this incident, trying to determine whether the segregated seating was voluntary (apparently okay) or forcible (not okay).  I guess I have no beef against Muslim women wanting to sit together on their own, but “voluntary” versus “mandated” blurs when you know you’ll incur the disapprobation of your coreligionists if you try to sit with the men. One person recognizes this obvious fact:

. . . .Rupert Sutton, from the campus watchdog Student Rights, has claimed there is “consistent use of segregation by student Islamic societies across the country”.

He wrote: “While this may be portrayed as voluntary by those who enforce it, the pressure put on female students to conform and obey these rules that encourage subjugation should not be underestimated.”

Here’s a photo from the Guardian article apparently showing the “voluntary” nature of the seating arrangements at that event:

segregation signs on door

 

Okay, Peter Hitchens, Glenn Greenwald, et al.: do you really think that Islam is no more pernicious than other faiths? You won’t see this at events sponsored by Christian or Jewish organizations (although, in another case of disempowering women, Orthodox Jews segregate their women at social events and in synagogue, where they must sit in the rear, behind a screen).

h/t: L. G.

Talks at Purdue tomorrow and Thursday

April 16, 2013 • 6:15 am

A reminder: this Wednesday and Thursday I’ll be giving two talks at Purdue University in West Lafayette, Indiana: a research seminar on Wednesday and the John S. Karling Distinguished Lecture (announcement here) on Thursday afternoon.

The research seminar, “Two flies on an island: Speciation in Drosophila,”will be on Wednesday, April 17, 3:30 pm in MJIS 1001 (Biomedical Research Auditorium).

The Big Karling Talk is at 3:30 p.m on April 18, with a reception at 3 p.m.  Books won’t be on sale, so if you want yours signed (and there will be time for that), please bring your own. And if you want a cat drawn in your book, you must say the secret word, which in this case is “Felidae” (make sure you pronounce it properly).

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Professor Ceiling Cat heads to Indiana

Genes should not be patented

April 16, 2013 • 5:40 am

Did you know that the U.S. Supreme Court is currently considering a case with wide ramifications, a case involving whether genes—human genes in this case—can be patented? (For longer analyses, see the NPR story here and the New York Times story here).

At issue is the patenting by a Utah Company, Myriad Genetics, of two genes involved in breast cancer, BRCA1 and BRCA2. Mutations of these “tumor-suppressor” genes account for between 10% and 15% of both breast and ovarian cancers, and a woman carrying a mutation in either is about five times more likely to develop breast cancer than a woman lacking those mutations.  Determining whether one carries these mutations, then, is important in how one is monitored for cancer, particularly if a woman has a family history of the disease. To avoid worry, some women with such a history, or who carry the mutant BRCA genes, get prophylactic mastectomies to forestall cancer.

For the past 18 years, the only company that has the right to test for these mutations—indeed, to allow any research on the BRCA1 and BRCA2 genes, has been Myriad, which in effect patented the two genes. It charges $3000 for its test (the test costs the company about $200), and claims that both its patent—and its exorbitant fee—are needed to recoup the costs of discovering that the gene was associated with cancer and developing a way to assay mutations. Myriad claims it spent $500 million to develop the test (I have doubts about that), but they recouped $405 million of that in the last year alone.  As the NYT notes, BRCA testing accounts for 80% of Myriad’s income.

Here’s some background from NPR:

Myriad Genetics, a Utah biotechnology company, discovered and isolated two genes — BRCA 1 and BRCA 2 — that are highly associated with hereditary breast and ovarian cancer. Myriad patented its discovery, giving it a 20-year monopoly over use of the genes for research, diagnostics and treatment. A group of researchers, medical groups and patients sued, challenging the patent as invalid.

There is no way to overstate the importance of this case to the future of science and medicine. In the view of Myriad and its supporters in the biotech and pharmaceutical industries, patents are the keys to making these medical discoveries possible. Their opponents, including leading medical groups and Nobel Prize-winning scientists, contend that Myriad’s patent improperly puts a lock on research and medical diagnostic testing.

The U.S. patent system, authorized in the Constitution, gives temporary economic incentives to inventors to advance science. The general rules of the patent system have been established in statutes and Supreme Court case law for over 150 years. You can’t patent a product of nature or a law of nature. It doesn’t matter that the task was difficult or costly. Nature is immune to patents. So, even though it may have taken Einstein a long time to figure out that E=mc2, he couldn’t have patented that law of nature.

Until relatively recently, much of the medical profession disdained patents, except as a means to ensure quality. When Dr. Jonas Salk, the inventor of the revolutionary polio vaccine, was asked in 1955 whether he had a patent on the vaccine, he replied, “There is no patent … could you patent the sun?”

Myriad Genetics, however, contends that the genes it isolated are not like the sun. Mark Capone, president of Myriad Genetics Laboratories, notes that the 20,000 genes in the human body are part of a 6-foot-long molecule that’s “coiled and compacted and stuffed into each cell.” And, he says, “What Myriad was able to do is sort through all those 20,000 genes and find the two that were highly linked to hereditary breast and ovarian cancer.”

Although Myridad has the right to impede straight research on these genes, they say they haven’t done so, though they still retain a monopoly over diagnostics and treatment. And the Yale case, described below, could be seen as an obstruction of research.

Because of the high cost, some insurance companies won’t cover the testing, and so a woman who worries about familial breast cancer must often pay out of her own pocket—or, if she’s impecunious, not be tested at all.  In that way, and others, Myriad certainly has impeded medical treatment.  In one case, described in the Times, a woman who had breast and ovarian cancer was given the Myriad test and came up clean. But Yale University Medical Center, where she was treated, wanted to look for other mutations in the BRCA genes not covered by the initial Myriad test, for the woman had a daughter. Myriad wouldn’t allow it.  While the insurers haggled over whether to pay for additional testing from Myriad, the daughter developed breast cancer.

Myriad, in other words, owned not only the ability to detect specific mutations in the BRCA genes, but all mutations in the BRCA genes, and wouldn’t let anybody else could look for them.  It owned the gene and everything to do with it.

That’s exploitative, greedy, and unfair.  No company should own a gene, and this is an explicit violation of patent law, which argues that natural substances cannot be patented. The tumor-suppressor genes are natural, and the DNA in patients is exactly the same as the DNA tested by Myriad. It has to be, or the test wouldn’t work. Yes, Myriad discovered that these genes were associated with cancer, and developed a way to assay mutations, but what should be patented is the diagnostic process, not the gene itself. Others can—and have, in the case of cystic fibrosis—developed and patented tests without patenting the gene, so several companies offer diagnosis for that gene.

When Jonas Salk developed the polio vaccine, which was something that could have been patented, he refused to do so, saying that patenting it was like trying to patent the Sun, and that the vaccine belonged to the whole world.  Salk and the University of Pittsburgh could have made millions, but he saw that as unethical.

Well, we no longer live in Salk’s world, and everyone’s trying to get rich from genetic. One could argue that Myriad has jeopardized people’s lives with its unjustifiable patent on a gene itself.

Here, from the New York Times, are those on either side of this issue:

Briefs in support of the plaintiffs were submitted by the American Medical Association, AARP, and various consumer and patient advocacy groups. Supporters of Myriad include drug companies, biotech seed companies and venture capitalists. Diagnostic companies appear split.

The Obama administration, breaking with longstanding policy of the Patent and Trademark Office, says isolated genes should not be patentable. They are medically useful, it says in its brief, “precisely because isolated DNA operates in exactly the same way in a laboratory as it does in its natural environment.”

Genes are products of nature, pure and simple. They should not be patented, and companies, no matter how venal, cannot prevent others from working on these genes or developing their own diagnostic tools should the genes be associated with disease. I can see no justification for a company owning a gene, no matter how much money it takes to determine whether that gene is associated with disease or to develop a test for the relevant mutations.

Yes, by all means let companies develop their own diagnostics, which, if sufficiently novel, can be patented, just as any novel medical test can be patented. But DNA is DNA, whether in a patient or in the sticky hands of greedy biotech companies.  Let’s hope the Supreme Court strikes down this unconscionable process of patenting genes, an issue that will become increasingly pressing as DNA-based medicine goes forward. In the meantime, Congress needs to make laws that clarify the situation.

Turkish musician sentenced for anti-Islamic tweets

April 15, 2013 • 3:55 pm

So much for the benign nature of Islam, even in countries as liberal and secularized as Turkey. As the New York Times reports:

ISTANBUL — A court here handed down a suspended 10-month jail term on Monday for Fazil Say, an internationally acclaimed Turkish pianist and composer convicted of insulting Islam and offending Muslims in postings on Twitter.

Mr. Say, 42, who has performed with major orchestras around the world in places including New York, Berlin and Tokyo, said during earlier hearings that the accusations against him went “against universal human rights and laws.” The sentence was suspended for five years, meaning that the pianist will not be sent to prison unless he is convicted of re-offending within that period.

In recent years, many intellectuals, writers and artists have been prosecuted for statements about Islam and Turkish identity, both of which the pro-Islamic government seeks to shield from criticism. Social media outlets like Facebook and Twitter, however, have rarely figured in previous trials, although Turks are active users of the sites.

Well, it’s a mercy Say won’t see jail time, but really? That country aspires to join the EU?

And the nature of his crime? Part of it involved quoting one of my favorite poems, a paean to enjoying this life and not a supposed hereafter:

The messages cited in the indictment were Mr. Say’s personal remarks referring to a poem by a famous 11th-century Persian poet, Omar Khayyam, which poked fun at an Islamic vision of the afterlife.

The poem was sent to Mr. Say from another user before he forwarded it.

In another personal Twitter post, he joked about the rapid call to prayer at a nearby mosque, questioning whether the muezzin who makes the call was running late for a drink.

These aren’t Islamic “fundamentalists” or “extremists;” this is the Turkish government, for crying out loud.

h/t: Greg Mayer

Movie recommendation: Amour

April 15, 2013 • 12:53 pm

Yesterday I saw the new (2012) French-language movie “Amour,” and urge you to see it.  But be warned that it’s a gritty and realistic portrayal of the end of life. That is the hard part to take, especially because the life is that of a lively woman (Anne Laurent, played by Emmanuelle Riva)—half of a loving French couple who have been together, teaching and enjoying music, for many years. One day Anne has a stroke, and everything changes. Her husband, the equally skilled actor Jean-Louis Trintignant, runs a gamut of emotions as Anne slowly declines: we see his love and solicitude for his wife, his frustration at their inability to communicate, his sadness for what is being lost, and, ultimately, his anger that he must care for a person whom he no longer knows.  There is mystery at the end, and I won’t divulge what happens, but if you love terrific acting, and can tolerate an unsparing portrait of death at old age, this is the movie for you.  Isabelle Huppert, wonderful as always, plays the daughter.

My nephew, whose master’s thesis in film was on how old people are portrayed in movie, says that this may be the best movie of 2012. It’s certainly the best I’ve seen, with Lincoln in second place.  Because people don’t like to face the prospect of getting old, they don’t like seeing physical decline on the screen, and I’ve seen only three movies about aging that I thought were great (this one, Tokyo Story, and Make Way for Tomorrow). I watched this film at the local student moviehouse (Doc Films); and Sunday matinees, particularly those with “serious” films, often attract older viewers. At least three of them walked out during this movie, perhaps because it reminded them (as it did me) of our mortality.

Amour, I found out later, cleaned up the film awards. As Wikipedia notes:

The film was screened at the 2012 Cannes Film Festival, where it won the Palme d’Or. It won the Best Foreign Language Oscar at the 85th Academy Awards, and was nominated in four other categories: Best Picture, Best Actress in a Leading Role (Emmanuelle Riva), Best Original Screenplay (Michael Haneke) and Best Director (Michael Haneke). At the age of 85, Emmanuelle Riva is the oldest nominee for the Best Actress in a Leading Role.

At the 25th European Film Awards, it was nominated in six categories, winning in four, including Best Film and Best Director. At the 47th National Society of Film Critics Awards it won the awards for Best Film, Best Director and Best Actress.At the 66th British Academy Film Awards it was nominated in four categories, winning for Best Leading Actress and Best Film Not in the English Language. Emmanuelle Riva became the oldest person to win a BAFTA.At the 38th César Awards it was nominated in ten categories, winning in five, including Best Film, Best Director, Best Actor and Best Actress.

Riva’s performance is brilliant. The movie got a 93% critics’ rating on Rotten Tomatoes, and, of course, four stars from the now-late Roger Ebert. As a memorial to Ebert, who was facing his own end-of-life issues when he saw this film, I quote a bit of his review of Amour:

Old age isn’t for sissies, and neither is this film. Trintignant and Riva courageously take on these roles, which strip aside all the glamor of their long careers (he starred in “A Man and a Woman,” she most famously in “Hiroshima, Mon Amour”). Their beauty has faded, but it glows from within. It accepts unflinchingly the realities of age, failure and the disintegration of the ego.

Yes, and to watch “Amour” invites us — another audience — to accept them, too. When I saw “Hiroshima, Mon Amor” (1959), I was young and eager and excited to be attending one of the first French art films I’d ever seen. It helped teach me what it was, and who I was. Now I see that the film, its actors and its meaning have all been carried on, and that the firemen are going to come looking for all of us one of these days, sooner or later. [JAC: the fireman find Anne’s body].

This is now. We are filled with optimism and expectation. Why would we want to see such a film, however brilliantly it has been made? I think it’s because a film like “Amour” has a lesson for us that only the cinema can teach: the cinema, with its heedless ability to leap across time and transcend lives and dramatize what it means to be a member of humankind’s eternal audience.

I give this movie two thumbs up, and recommend it highly.