Jesus ‘n’ Mo ‘n’ transformation

May 15, 2026 • 8:15 am

The caption for this week’s Jesus and Mo, called “Hide,” is “In light of the Tickle v Giggle verdict in Australia, a Friday flashback to J&M’s first terfy strip from 2016.”

If you’re not familiar with Tickle v Giggle, click on the Wikipedia link above. Here’s the summary:

Tickle v Giggle is an Australian federal legal case regarding the legality of the membership policies used on Giggle, a social media app for women. Giggle excluded trans women in their membership policy, and withdrew membership from Roxanne Tickle, a transgender woman from New South Wales, on that basis. In 2022, Tickle brought the case against Giggle, and in August 2024, the court found that Tickle had been indirectly discriminated against under Australia’s Sex Discrimination Act, and ordered Giggle to pay costs of the case and damages. That finding was appealed both by Tickle and by Giggle’s CEO, Sall Grover, with hearings on those appeals held in the Federal Court of Australia (NSW Registry) from August 4 to August 6 2025. The appeal judgment was delivered on 15 May 2026 at 2 pm AEST.  The court upheld the original judgment, dismissing Grover’s appeal and allowing Tickle’s cross-appeal, with the court finding two instances of direct discrimination against Tickle and awarding damages of $20,000, double the award at first instance.  Grover has said she will appeal to the High Court of Australia.

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Jesus ‘n’ Mo ‘n’ a double take

May 13, 2026 • 8:15 am

The latest Jesus and Mo strip, called lead, says in one email that it’s new and in another that it’s old.  Well, I haven’t seen it, and the accompanying note says this:

A comparison that has been made before and is hard to ignore.

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Books are still available – The latest J&M collection of J&M strips, which has a foreword by Jerry Coyne, is available here:

And the strip, in which Mo is pretty close to having an epiphany:

Jesus ‘n’ Mo ‘n’ substitutionary atonement

May 1, 2026 • 11:00 am

We have another “Friday Flashback from 9 years ago.”  The concept of substitutionary atonement—something that Hitchens used to beef about—has always confused me, as it simply makes no sense. By killing his own son, who is really part of himself, God gave us all the possibility of going to Heaven. Whaaaat?

Mo takes it apart here:

Jesus ‘n’ Mo ‘n’ a rock in a box

April 15, 2026 • 8:15 am

Today’s Jesus and Mo strip, called “rock2“, comes with a note that says this: “An oldie from 2006 today. Next week’s will also be a resurrection.” The artist must be on hols.

Is Mo right about the black silk and the meteorite?  Well, at least half right. The Kaaba is indeed covered with a cloth made of silk, but the meteorite is questionable. Here’s what Wikipedia says, along with a picture. (The stone is called Ajar al-Aswad.)

The Black Stone (Arabicالحجر الأسودromanizedal-Ḥajar al-Aswad) is a rock set into the eastern corner of the Kaaba, the ancient building in the center of the Masjid al-Haram in Mecca, Saudi Arabia. It is revered by most Muslims as an Islamic relic which, according to tradition, dates back to the time of Adam and Eve.

The stone was venerated at the Kaaba in pre-Islamic Arabia. It is sometimes considered a baetyl. According to tradition, it was set intact into the Kaaba’s wall by Muhammad in 605, five years before his first revelation. Since then, it has been broken into fragments and is now encased in a silver frame on the side of the Kaaba. Its physical appearance is that of a fragmented, dark rock, polished smooth by the hands of pilgrims. It has often been described as a meteorite,  but it has never been analysed with modern techniques, so its scientific origins remain the subject of speculation.

Muslim pilgrims circle the Kaaba as a part of the tawaf ritual during the Hajj and many try to stop to kiss the Black Stone, emulating the kiss that Islamic tradition records that it received from Muhammad.While the Black Stone is revered, theologians emphasize that it has no divine significance and that its importance is historical in nature.

Saudi Press Agency (SPA), CC BY-SA 4.0, via Wikimedia Commons