Update on Jerry Coyne in his new home

April 4, 2014 • 2:05 pm

Here’s a nice end to a long week: Gayle Ferguson has forwarded photos of Jerry Coyne the Cat in his new home in Christchurch, New Zealand. I’m glad to report that all is well, although Jerry and Loki (the senior resident cat) are still a bit wary of each other.  And Jerry is inspecting the chooks.

The photos are a bit smaller than usual, but still show that Jerry is settling in well:

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Jerry inspects the chickens:

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No problem with napping:

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Jerry and Loki, eyeing each other warily:

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Gail reports this exchange with her colleague, one of Jerry Coyne’s two new staff. Her first question was a joke, as she was asking about the male staff rather than the cat. The guy answered with news about Jerry:
Me:  How’s my boy?
J:  On his back with his front legs curled under his chin!  He is very happy.
Me:  And how is Jerry?
J:  Hee Hee! He now has the run of the house and Loki gives way.  Good dirt boxer and sleeps through the night.
I asked about Loki “giving way,” since he’s older and much bigger than Jerry. Gayle replied:
Little Jerry is actually very aggressive.  It usually takes at least a few weeks for two cats to get used to each and to figure out who is ‘top cat’.
I’m glad to see that he’s retained the name Jerry, though I dare not ask whether his full name remains “Jerry Coyne.”

Thanks to Jerry’s staff for keeping us up to date!

Fossil mammoth bill passes South Carolina legislature, with creationist rider!

April 4, 2014 • 12:09 pm

On March 30 I wrote a bit about the kerfuffle in the South Carolina legislature, which was squabbling over whether to make the Wooly Mammoth (called the “Columbian Mammoth”) the state fossil.  This was a suggestion of an eight-year-old girl, Olivia McConnell, who had written to her legislators suggesting the new symbol.  But two Republicans held up the bill, trying to add creationist amendments and descriptions, and it looked as if the whole thing would fail.

But now, according to USA Today, the bill has passed, and, pending the governor’s signature, the mammoth is on its way to becoming the Official State Fossil. It passed the state Senate, the state House, and apparently will soon become law.

But there’s one slight problem. You can see the whole bill below (also found here). Take a look at the amendment in Section 1.

Picture 3

Yep, that’s right, folks: the Mammoth is enshrined in law as having been “created on the Sixth Day with the other beasts of the field.” And that’s not intelligent design creationism, it’s pure, literalist young-earth creationism. It’s PURE INSANITY!

How did it happen? USA Today reports;

Before Fair’s objection, state Sen. Kevin Bryant tried unsuccessfully to insert a Bible verse into H 4482. This week, the Republican from Anderson, S.C., put forth a new amendment that was adopted, referring to the animal “as created on the sixth day with the beasts of the field.”

“I think it’s an appropriate time to acknowledge the creator,” he said.

Actually, that’s better than the previous amendment, which quoted verbatim three verses from Genesis referring to the creation.

There’s some slight pushback, but it doesn’t seem too vocal:

Rick Hahnenberg, a spokesman for the Upstate South Carolina chapter of Americans United for Separation of Church and State, said he’s concerned that legislators’ actions on the state fossil issue have been a continuation of a push for religion to be inserted into the science curriculum.

“Obviously we want to have good science standards in South Carolina,” he said.

I’m torn. Olivia wants her state fossil, but is this the way to give it to her? Will the Governor of South Carolina, Republican Nikki Haley, sign a bill that by its very nature flouts the U.S. Constitution? Will some courageous legislator take out that amendment? Will the Freedom from Religion foundation oppose this Biblical language in a state law?

Stay tuned as the craziness continues below the Mason-Dixon Line.

h/t: Greg Mayer

Does SeaWorld tranquilize its animals?

April 4, 2014 • 9:03 am

I’ve always been critical of places where large, captive animals are displayed to the public as entertainment, and aquaria that house large cetaceans (or mammals like sea otters) are a prime offender. For me, SeaWorld is the most egregious of these, and I’ve posted about it, and about the recent movie “Blackfish,” made about its orcas (killer whales) here.

As I wrote at the time:

Some aquaria will argue that keeping such animals in captivity helps us better understand their biology, enabling us to conserve them better. But orcas, seals, and belugas are not endangered, and at any rate real refereed scientific publications from large aquaria or sea-mammal emporia are thin on the ground.  Let’s admit it: places like SeaWorld are in business for one reason: to make money, no matter how much they claim to be educational organizations. And yes, I’ll admit that some of the keepers and employees do love and care about their charges, but it doesn’t matter. Those charges should be swimming free in the sea.

. . . There is no justification for keeping orcas, beluga whales, and other sea mammals in captivity.  They belong in the wild, where they would be if they had a choice, but are simply exploited as cash cows for institutions and corporations.  I urge the readers to stay away from places like SeaWorld, where the animals are even asked to do tricks before a paying audience. It’s ineffably sad, and demeaning to these magnificent creatures.  We are the only species that enslaves other species to entertain and enrich ourselves. [Last sentence modified from earlier post]

These captive animals often appear stressed to me, engaging in repetitive, neurotic behaviors that bespeak some type of mental distress. You’ve all seen this in zoos, with bears or tigers neurotically pacing back and forth in their cages. And it always breaks my heart. I no longer go to zoos or aquaria.

It turns out that aquaria recognize this distress, but apparently have chosen, in at least one case, to relieve it with—wait for it—tranquilizers. And that place is SeaWorld

According to a story in ZME Science and an article in BuzzFeed, this information emerged during a dispute between SeaWorld and Marineland (the latter a theme park and aquarium in Niagara Falls, Canada) over the transfer of an orca.  During a deposition that took place during the dispute, a veterinarian found out that an aggressive orca at SeaWorld had been given benzodiazepine, a sedative and tranquilizer (Valium is one form) to prevent it from hurting other whales. The testimony, which is at the BuzzFeed site, includes the statement below:

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Now this is only a single animal, and we shouldn’t go off half-cocked about every orca or animal being tranquilized, but one wonders how many have been. The response of SeaWorld does not reassure me that this is a one-off occurrence:

A spokesperson for SeaWorld Fred Jacobs defended the medication in an emailed statement.

“Benzodiazepines are sometimes used in veterinary medicine for the care and treatment of animals, both domestic and in a zoological setting,” Jacobs said. “These medications can be used for sedation for medical procedures, premedication prior to general anesthesia, and for the control of seizures. The use of benzodiazepines is regulated, and these medications are only prescribed to animals by a veterinarian. Their use for cetacean healthcare, including killer whales, is limited, infrequent, and only as clinically indicated based on the assessment of the attending veterinarian. There is no higher priority for SeaWorld than the health and well-being of the animals in its care.”

This doesn’t answer the question. It would behoove SeaWorld to come clean about whether this tranquilizing of orcas is unique, or has happened more often.  If it’s a regular practice when orcas get antsy, it’s all the more reason to question the existence of using large, free-roaming sea mammals as entertainment.
BuzzFeed adds this:
The questions about the drugs given to the whales, which also include a range of antibiotics, come as SeaWorld is reeling from a critical documentary. Blackfish tells the story of a killer whale named Tilikum, who’s been accused of killing three people but is still retained by SeaWorld. Tilikum’s genes are found in 54% of the whales in SeaWorld’s current whale collection, and has fathered at least 21 whales from artificial insemination.
I haven’t seen “Blackfish,” by the way, but it’s gotten tremendously high ratings on Rotten Tomatoes (98% critics approval, 91% public) and approbation in other place.  If you’ve seen it, weigh in below.
Animal welfare groups have chimed in against this kind of drugging. The statement below seems eminently reasonable to me:

The founder of the Orca Research Trust, Ingrid Visser, said the drugs are likely treating a condition caused by captivity, and that their violence is the result of stress, not native aggression.

“They do not cope with being kept in these tanks. They survive to some degree, but they don’t thrive to any degree,” Visser said. “They show stereotypical behaviors that are abnormal, repetitive behaviors like head bobbing, chewing on concrete, and self mutilation by banging the side of their heads on the side of the tank, and there isn’t a single orca living in captivity where you cannot see one of these behaviors, and in many of them you see multiple examples of these behaviors.”

Yes, I’ve seen those behaviors, and I’ve seen them here in Chicago at the Shedd Aquarium. When I described the incident to aquarium officials (I believe it was a seal, but it could have been an otter, swimming stereotypically and repetitively in a very narrow tank), my complaint was ignored.

PETA has made a characteristically over-the-top criticism, but really, read it. The animals are indeed kept to do what I see as stupid tricks, though I have no idea whether they are, as PETA maintains, “full of psychotropic drugs”:

PETA’s president, Ingrid Newkirk, accused SeaWorld of “pump[ing] these marine slaves full of psychotropic drugs in order to force them to perform stupid tricks.”

Once again I reiterate my plea—which will be ignored—to stop confining large, free-roaming mammals in small aquaria, especially for public entertainment. The educational benefits are minimal, especially when compared to the distress of the animals. Some people defend this practice, saying that, “Well, the animals seem healthy and content,” but a Martian, observing human prisoners in a jail, would say the same thing. Like the human prisoners, the animals, if given a choice, wouldn’t be there.  (And, of course, there are those abnormal behaviors. . )

I want them set free, but that won’t happen so long as there is money to be made. In my view, these animals are confined against their will to entertain the public and enrich the owners. It’s a bad business all around.

Andrew Brown, his apophatic naturalism, and “other ways of knowing”

April 4, 2014 • 5:55 am

Andrew Brown of the Guardian—whose continued tenure there remains a mystery to me—spends a lot of his time trashing New Atheism and telling us what’s good about faith.  Although he is, I think, a nonbeliever himself (correct me if I’m wrong), his regular and splenetic tirades against atheism cross the bounds of mere philosophical disagreement. I think the man has a sneaking desire to go to church.

But as I’ve followed him over the years, his columns have become not only more vitriolic, but more incoherent. Such is his latest:  “Science has nothing to tell us about the soul? I disagree.

It’s a strange title, and gives no idea what he’s going to say. Certainly his respect for science isn’t huge, and so what is its connection with the soul?

It turns out that Brown just wants to diss atheism again, but also use “science” to tell us what the soul is not. He also throws in some incoherent philosophy-boosting at the end. His point remains unclear to the end.

First, Brown never defines what he means by “soul,” even though he says science tells us something about what its properties don’t consist of. But before he begins that disquisition, he takes a gratuitious swipe at “scientism”:

Generally, and like most of the RSA audience, I am wholly on the side of  [Iain] McGilchrist when he argues against scientism, as in his wonderful squelching of Steven Pinker:

“There is more truth about the human predicament in King Lear than in a thousand textbooks of genetics, irrespective of whether the play is a faithful account of the historical Lear or not, and indeed of whether there was ever a King Lear at all. And on whether there is a God or not, true science can have precisely nothing to say.”

If you wish, have a look at that “squelching.” It’s not impressive; just turf defense. What’s striking, about McGilchrist’s comment and Brown’s reaction, though, are two things. First, the notion that science has little to say about the “human predicament”. That’s not really the case. If our “predicament” involves bad behavior or selfishness of others, or anything that results from evolution or quantifiable effects of the environment, science can help with that. (The problem is that Brown doesn’t define “predicament,” either.) If you have a feeling of Weltschmerz or ennui, maybe antidepressants can help.  If our predicament is lack of food or affliction with disease, call on Mr Science. If we’re feeling alone, maybe we’re suffering from the need for social interaction that evolved in our ancestors. If we’re suffering from the nihilism of unbelief, as Brown wishes we would, ask why we feel a need for religion. Science has some ideas.

What King Lear can tell us is how it feels to descend into madness. It makes us think about modernity, senility, the loss of family.  It stirs us emotionally, but does it really inform us about the human predicament? If it has, how has it helped us solve that “human predicament”? And, indeed, scholars are divided on what the play really means.

This bears on the age-old question of whether art can tell us something about the world, or even about ourselves. (I’ll leave religion aside, as I think it tells us nothing meaningful about either the human predicament or the universe.)  What art does is enable us to experience—sometimes—what it’s like to be in another’s shoes; it tells us that we are not alone in feeling some emotions; and it makes us ponder and question our lives. It makes us see objects from other angles. It is, perhaps, a tool or incitement to gain knowledge, but is it knowledge itself?

But art sometimes simply (and I use that word lightly) incites our emotions in an ineffable way. I am deeply moved by some works of Beethoven: they stir in me some emotions that are ineffable—but some day might be understood by science! In principle, science may also be capable of telling us why some people, like me, are moved by Beethoven but not Mozart, for this may be a matter of neurology and life experience.  (Don’t expect such explanations to be forthcoming soon.) Science is at present unable to explain why we react as we do to art, music, and literature, but is that all really beyond its ambit? I wouldn’t hasten to say “yes.”

I would, however, be dubious about what the humanities tell us about “the human predicament,” for that implies that the humanities impart some knowledge about the world beyond what we could learn in other ways. Of that I’m not sure.

If you’re a regular here, you probably know that one of my favorite pieces of literature in English is James Joyce’s “The Dead.” But what does that tell me about the human predicament? I’m hard pressed to say. I am irked by Gabriel’s pomposity and moved by his realization of his own solipsism as well as the futility of life.  His wife Greta’s revelation that she once loved another man, and much more deeply than she loved Gabriel, tells us that we cannot really know others in the deepest sense, and that our knowledge of intense love may be deficient. Gabriel’s musings on the future death of his aunts reinforces our feelings of the ephemeral nature of life, and may make us resolve to live more intensely.

But does that help us with the human predicament? Is that really “knowledge”? For one can say “life is short” in much more mundane ways, and it tells us exactly the same thing. What moves me about Joyce’s last paragraphs—the most lovely prose ever put down in English—is the melding of scene, emotion, and character in beautiful and stirring words. It is the music of language. It doesn’t say much about the human predicament, but always brings me to tears.

But I digress—hugely, I’m afraid; but I always bristle when someone says that the arts tell us things that are beyond science. Perhaps that’s true—and readers can weigh in—but it doesn’t strike me as immediately correct. The arts provide satisfactions that science doesn’t, but that’s a different matter.

Back to Brown. He decides to tell us what science has discovered about the soul, or rather what it tells us the soul is not. (Again, he fails to define “soul”):

But the idea that science has nothing at all to tell us about souls seems to me clearly wrong. It can tell us a lot about what they are not. For one thing it seems clear that souls are not things on which arithmetic can be performed. Science can tell us that the soul can’t be found by scientific inquiry.

Not necessarily, for that depends on what you mean by a soul. If it’s something that has definite effects, or lives on after the brain, it is in principle subject to empirical study.

Science, or at least empirical inquiry, can tell us that there is no reason to believe in an afterlife.

Well, here Brown is on the mark. For the absence of evidence for an afterlife, when there could be such evidence (the return of the dead, credible messages from beyond, and so on) tells us that in all probability there is no afterlife. But if Brown agrees that the absence of evidence—evidence that should be there—is evidence of absence, why, then, does he sign onto McGilchrist’s statement that “on whether there is a God or not, true science can have precisely nothing to say.” For there is precisely as much evidence for a god or gods as there is for the afterlife—that is, none. That also goes for the soul (if Brown would only define it!) Let Brown add, then, that “Science can tell us that there is no reason to believe in God.”

He goes on with his apophatism:

Science tends to strengthen the argument of Aristotle that the soul is the form of a living thing – this is also the position of Thomas Aquinas, and so of classical Christian theology.

Wait a minute! If Brown hasn’t defined “soul,” how can he say that science strengthens its existence as something “living”? Without a definition, this kind of analysis is useless. Finally, Brown tells us that souls cannot be immortal:

Science, it seems to me, gives us reasons for supposing that nothing can go on for ever. You don’t need science to believe that. But at the very least the discovery of the big bang shows that the universe had a beginning and will have an end. This shows that while something might be eternal, it cannot be immortal, and that must go for souls too.

Well, yes, if our souls must remain within the universe (which most religious people don’t accept) then they can’t be immortal. But that holds only if they must disappear with the universe. How do we know that souls can’t transmigrate to other universes, or flee to a heaven that is beyond the universe?

In the end, I’m not clear what Brown is on about here. He claims that science can tell us something about the soul, but is nevertheless impotent before the equally nebulous and unevidenced notion of god. But on that he’s wrong. What’s good for the goose is good for the gander. Science also can tell us that “there is no reason to believe in a god,” and if there is a god, that he is either apathetic, powerless, or malicious.

In the end Brown rabbits on about the relationship between science and philosphy, but I can’t figure out what he’s trying to say (maybe he can’t either). He lapses into incoherence, and perhaps I have, too. But at least I’m not getting paid for writing this stuff!

I’ll close with a bit of doggerel:

Reading this palaver makes me frown;
Did He who made the lamb make Brown?

 

 

 

Ceiling Cat Special: Version 4.0

April 4, 2014 • 3:36 am

Not too long ago, I posted what I thought was a recipe I invented: the “Ceiling Cat Special™,” which consists of black beans and rice with ample lashings of yogurt and topped with lots of caramelized onions. Although a reader told me that a similar dish is commonplace in Central America, I have still given the dish a trademark as the Official Website Recipe, abbreviated CCS™.

Two other versions by readers almost immediately ensued: CCS 2.0 and CCS 3.0. Now, reader “P” has concocted the most elaborate version yet. Her description:

I’ve finally got around to making a DIY or Build Your Own version of your Ceiling Cat Special. It’s great!

Mind you, my offerings are so varied that this could be a “Where’re the black beans?” trick question. There are dietary restrictions as well as finicky palates in the family, so I leave it up to everyone, and I sneak in as many vegetables as I can.

I used the obligatory black beans (organic unsalted) with caramelized onions (two kinds – red and yellow onions) and Greek yogurt and sour cream. I plated the beans on a bed of fresh baby spinach.

The other offerings are:

1.  roasted peppers (red bell, poblano, banana, w/ Scotch Bonnet (but the latter is for garnish, as most people can tolerate only slivers of it); baked cremini mushrooms stuffed with jalapeno white cheddar and minced garlic, drizzled with extra virgin olive oil and grated Parmigiana Reggiano (to die for).

2.  baked tomatoes stuffed with leftover rice w/ white kidney beans topped with grated P. Reggiano.; roasted radicchio;  baked tortilla (store bought and warmed up).

3. chopped parsley and cilantro, olives (and the onions of course).

And here’s the whole presentation—very elaborate (and healthy)!

Ceiling Cat Special - DYI version

The CCS main dish is at bottom, surrounded by its garnishes. When I asked “P” if those were indeed garnishes, she replied:

Yes, those are all accompaniments and garnishes for the CCS, along with the obligatory onions and yogurt/sour cream. I forgot the lemon wedges, and the bacon salt shaker for the folks who are allowed that.

I wanna know when I get invited for dinner. . .