The columnist Clarence Page had a chat with Salman Rushdie, who taught at Emory University, about freedom of speech. (Remember that it was Emory students who got so upset when they saw pro-Trump slogans written in chalk on their campus.) Rushdie was in Washington D.C. to discuss the question, “Should or must art be politically correct?”, an event organized by Page’s wife, and Clarence took the opportunity to ask Rushdie about several issues.
“When people say, ‘I believe in free speech, but …,’ then they don’t believe in free speech,” [Rushdie] said. “The whole point about free speech is that it upsets people.
“It’s very easy to defend the right of people whom you agree with — or that you are indifferent to. The defense (of free speech) begins when someone says something that you don’t like.”
And that is a simple point. The rebuttal by the Regressive Left is that “hate speech” is not “free speech,” and therefore it’s okay to ban the former. The appropriate response to that was tendered by Christopher Hitchens: “Who would you want to decide what speech is allowable?”
And Rushdie not only talks the talk, but walks the walk.
“Donald Trump is what happens when you forget what America is,” Rushdie said. Yet, as much as he disagrees with what Trump says, he argues that it would be more dangerous to block him from saying it. Indeed, in a regime of free speech, bad ideas should be confronted with better ideas.
Admirably, Rushdie has consistently defended freedom of expression even when his own life would appear to be at stake. For example, he campaigned successfully to prevent the British government from banning a libelous Pakistani film about him because a ban would have made it “the hottest video in town.” Instead, the film went virtually unnoticed outside of Pakistan.
Apropos of free expression, the American Library Association has just released its list of “most challenged books,” that is, the books that people most often request be banned from libraries. There’s an article about this on the NPR site (yes, they do have some good stuff), and a video that I’ve put below. Curiously, one of the books is the Bible.
The ALA [American Library Association, a staunch defender of free expression] defines a challenge as a “formal, written complaint filed with a library or school requesting that materials be removed because of content or appropriateness.”
Stone says 275 such challenges were made last year — lower than previous years — and while that’s something the association views as a positive, Stone says not all challenges make it to the Office for Intellectual Freedom database.
Here, from an ALA site, is a list and the subjects of the ten most censured books:
- Looking for Alaska, by John Green
Reasons: Offensive language, sexually explicit, and unsuited for age group. - Fifty Shades of Grey, by E. L. James
Reasons: Sexually explicit, unsuited to age group, and other (“poorly written,” “concerns that a group of teenagers will want to try it”). - I Am Jazz, by Jessica Herthel and Jazz Jennings
Reasons: Inaccurate, homosexuality, sex education, religious viewpoint, and unsuited for age group. - Beyond Magenta: Transgender Teens Speak Out, by Susan Kuklin
Reasons: Anti-family, offensive language, homosexuality, sex education, political viewpoint, religious viewpoint, unsuited for age group, and other (“wants to remove from collection to ward off complaints”). - The Curious Incident of the Dog in the Night-Time, by Mark Haddon
Reasons: Offensive language, religious viewpoint, unsuited for age group, and other (“profanity and atheism”). - The Holy Bible
Reasons: Religious viewpoint. - Fun Home, by Alison Bechdel
Reasons: Violence and other (“graphic images”). - Habibi, by Craig Thompson
Reasons: Nudity, sexually explicit, and unsuited for age group. - Nasreen’s Secret School: A True Story from Afghanistan, by Jeanette Winter
Reasons: Religious viewpoint, unsuited to age group, and violence. - Two Boys Kissing, by David Levithan
Reasons: Homosexuality and other (“condones public displays of affection”).
And the video:
h/t: Christopher, Ken





















