“Wild Rose” with Jessie Buckley

One of the finest new movies I’ve seen in the last decade or so was “Hamnet” (2025), about Shakespeare’s relationship with his family and his writing and production of “Hamlet”.  But Will himself makes very little appearance in the film, as the story is driven by a mesmerizing performance from Jessie Buckley as Agnes Hathaway, Shakespeare’s wife, who lives through the death of their 11-year-old son Hamnet. While Agnes abides in Stratford, Shakespeare goes off to London to write and produce his plays.

I won’t give much of a spoiler, but I will say that the ending involves Agnes’s unannounced trip to London to see the first production of “Hamlet.”  The most wonderful part is the last ten minutes of the film, which focuses almost solely on Buckley’s face as she realizes that the play is based on her late son.  It is a tour de force of acting done only through facial expression, and it’s mesmerizing, moving rapidly back and forth between grief and elation. When I saw that in the theater, through tears, I thought immediately, “This woman is going to win an Oscar.” And so she did: Buckley took home the 2025 Oscar for Best Actress.

If you haven’t seen “Hamnet,” do so immediately. A few people here haven’t liked it, perhaps because it has a touch of magical realism, but I found it fantastic in both senses. Further, it’s one of those movies just as good as the book that inspired it, the eponymous novel by Maggie O’Farrell (2020).  Two other pairs of great movies made from great books are “The Remains of the Day” (1993 movie based on 1989 book) and “Never Let Me Go” (2010 film based on a 2005 novel). I have a weakness for Ishiguro, who won the Nobel Prize for Literature.

In case you haven’t seen the movie “Hamnet”—nor read the book—here’s the trailer. There is nowhere I can find that whole last crucial scene with Buckley, but this is what’s on YouTube. And the bits of that last scene shown below still make me tear up.

I digress, but today I’d like to recommend a movie brought to my attention by my nephew Steven, who knows of my admiration for Buckley and shares it.  He knows far more about movies than I, watches tons of them, has great taste, is paid to write about them, and calls Buckley, whom he interviewed, “the finest actress of her generation”.

I didn’t know anything about Buckley’s oeuvre, but Steven told me I needed to watch an earlier movie of hers, “Wild Rose,” released in 2018. It couldn’t be more different from “Hamnet.” Here Buckley plays Rose-Lynn, a Glaswegian (with the proper and appealing accent) who’s just been released after a year in jail for having tossed a packet of heroin over the jail fence from the outside. Her dream is to become a country singer, and her dream destination is Nashville. She’s a potty-mouthed single mom with two kids, depending heavily on her mother to take care of them.  Her mother is wonderfully played by Julie Walters, and her employer, for whom she cleans house, by Sophie Ok0nedo, of whom I hadn’t heard but was delighted to see onscreen. Walters is famous, and Okonedo should be. Her background is great:

Okonedo was born on 11 August 1968 in London, the daughter of Joan (née Allman), a Jewish Pilates teacher who was born in the East End of London, and Henry Okonedo (1939–2009), a British Nigerian who worked for the government. Okonedo’s maternal grandparents, who spoke Yiddish, were from families of Russian-Jewish and Polish-Jewish origin. Okonedo was raised in her mother’s Jewish faith.

“Wild Rose” shows Rose-Lynn’s ups and downs as she fights for her dream, and I won’t spoil it save to say that Buckley puts on another bravura and mesmerizing performance. I bet almost no reader has seen it, and it’s surely not widely known in America. Buckley does all her own country singing, and she’s excellent (see below). Steven tells me that the movie’s final song, ““Glasgow (No Place Like Home)”, was written by Mary Steenburgen. Steenburgen, who herself won Best Supporting Actress in “Melvin and Howard”, came to her second career as a songwriter at 47, when after a minor operation on her arm she came out of general anesthesia with her head suddenly flooded with tunes!

I digress again.  If you can see “Wild Rose,” do so. Steven tells me that if you become a Jessie Buckley acolyte, two other “essential” films are “Beast” (2017) and “The Lost Daughter” (2021), which according to Wikipedia “received a four-minute standing ovation from Venice Film Festival attendees in the Sala Grande.”

Here’s the trailer for “Wild Rose”:

One final digression, and I’ll quote my nephew:

Another tidbit about [Buckley] is that she first broke through on a U.K. talent show whose winner got to play Nancy in a West End revival of Oliver! Jessie finished second despite having the support of Andrew Lloyd Webber, who was one of the judges. Here she is, at 18 years old, singing a song from Oliver! (She sang about a dozen other songs throughout the run of the show, all viewable on YouTube.)