Every ten years the British Film Institute (BFI) announces two lists of “The greatest films of all time.” This has been going on for sixty years, since 1952, and the latest results were just announced in Sight and Sound, the BFI’s magazine (the link goes to Slate‘s summary of the poll).
As my nephew Steven, the film buff, notes, “The poll was first conducted in 1952, and has taken on an academic legitimacy shared by no other such rankings.” There are actually two polls. As Slate says, the famous one is this:
The Sight & Sound poll was compiled from the top-ten lists of 846 critics, programmers, academics and other movie-lovers, who together nominated more than 2,000 different films. Sight & Sound determines no criteria for “greatest,” suggesting only that “You might choose the ten films you feel are most important to film history, or the ten that represent the aesthetic pinnacles of achievement, or indeed the ten films that have had the biggest impact on your own view of cinema.” The poll is generally considered to be the most respected and the best barometer of changes to the canon over time. Roger Ebert wrote in 2002, “it is by far the most respected of the countless polls of great movies—the only one most serious movie people take seriously.”
So what are this decade’s results? Here are the top ten films:
Critics’ Top 10 Films of All Time
- Vertigo
- Citizen Kane
- Tokyo Story
- La Règle du Jeu (The Rules of the Game)
- Sunrise: A Song of Two Humans
- 2001: A Space Odyssey
- The Searchers
- Man With a Movie Camera
- The Passion of Joan of Arc
- 8½
Of these I’ve seen #1-3, 7, 9, and 10. I haven’t even heard of #5 (a study of an American farming town, made in 1927, and characterized by Rotten Tomatoes as “considered by many to be the finest silent film ever made by a Hollywood studio”),or #8 (a Russian experimental film on the day in the life of a city, made in 1929), but you can read about them at the links. And I’ll be sure to see both of them soon.
I like “Vertigo”, but not sure I’d put it on my own list (fourteen months ago I posted my own list of best films). “Citizen Kane” would be at the top of anyone’s list, but I didn’t put it on mine simply because it stands apart from the others in a way that prevents me from rating it. But “Tokyo Story”, as I noted in my earlier post, clearly belongs on top. It, and several other films by Ozu, are unrecognized masterpieces. By all means see them.
I am ashamed to admit that I’ve never seen “2001,” and while “The Searchers,” the only Western on the list, is good, I wouldn’t consider it a masterpiece. “The Passion of Joan of Arc,” on the other hand, clearly is, with Maria Falconetti giving the best silent performance I’ve ever seen. I can’t recommend that one too strongly.
And clearly missing on this list are my two favorite American films, “Chinatown” and, especially, “The Last Picture Show” (one of the two or three best American movies ever made), as well as the second best (after “Tokyo Story”) foreign film of all time, “Ikiru“, by Kurosawa. All three of these movies get a rare 100% rating from the critics at Rotten Tomatoes.
Finally, Sight and Sound also published a list of the top ten films selected by directors themselves. Here’s the list:
1. Tokyo Story
t2. 2001: A Space Odyssey
t2. Citizen Kane
4. 8 ½
5. Taxi Driver
6. Apocalypse Now
t7. The Godfather
t7. Vertigo
9. Mirror
10. Bicycle Thieves
“Tokyo Story” now occupies its proper spot, but where is “Ikiru”?
Also this year, the BFI put up a list of the 50 greatest films of all time. It’s well worth perusing if you’re renting stuff on Netflix. The top ten (same as in first list above) give summaries of the movies, and the rest have links to BFI summaries. It’s a respectable list, but really, “Mulholland Drive” and “Some Like it Hot”? Those are good films, but in my opinion hardly influential classics.
You know what to do now: weigh in below with agreements, disagreements, or your own list. Remember, we’re looking here for great films, not ones that are just entertainment.