The runaway duckling

June 19, 2020 • 1:45 pm

Here’s a lovely video starring a brood of ducklings mothered by a gray cat named Prince Michael, and featuring an Ostracized Duckling, one Gabriel Aaron Duckworth. Watch Gabe’s travails as, unable to take the jeers of his four siblings, he runs away from home. Gabe has many adventures as the distraught Prince Michael searches for him. But no worries—it all ends well.

This is one in a series of Aaron’s Animals, and there’s another duckling video here.  There are three million views of this one.

h/t: Paul

Photos of readers

April 13, 2020 • 2:30 pm

Please send in your quarantine photos, and we also need more diversity (e.g., women, non-Americans, and so on).

Today’s reader is Art Williams, who sent a photo, a caption (with an appropriate background) and his hand-drawn cartoon.

Art Williams, a surgeon and evolutionary medicine enthusiast in Cincinnati, in his natural habitat, between cases, back when elective surgeries were still a thing.

And you’ll surely get his cartoon:

The first commercial Wizard of Oz release, never shown in theaters

April 1, 2020 • 2:30 pm

Thanks to reader Barry to alerting me to this 8½-minute cartoon, highlighted in a short piece at Boing Boing. That piece largely draws on the Wikipedia article about this 1933 cartoon, The Wizard of Oz, which came out six years  before the famous movie. According to the article, the cartoon version never made it into theaters because it used Technicolor, which was at that time licensed only to Walt Disney. In fact, what you see below didn’t appear for sale until 1985.

But we can watch it now.  A few words about this version:

[This] is a 1933 Canadian-American animated short film directed by Ted Eshbaugh. The story is credited to “Col. Frank Baum.” Frank Joslyn Baum, a Lieutenant Colonel in the United States Army and eldest son of writer L. Frank Baum, was involved in the film’s production, and may have had an involvement in the film’s script, which is loosely inspired by the elder Baum’s 1900 novel, The Wonderful Wizard of Oz. It runs approximately eight and a half minutes and is nearly wordless, working mainly with arrangements of classical music created by Carl W. Stalling.

It’s a lovely cartoon with a plot considerably different from that of the 1939 movie. There are no witches, no Cowardly Lion, and very few words spoken. Nor is the Wizard a little man behind the curtain. But there are a lot of pictures of bloomers and underwear—even the Wizard’s, as well as two salacious honeybees.  But what the cartoon and movie have in common is the initial monochrome setting in Kansas that becomes multicolored when Dorothy and Toto arrive in Oz. I wonder if the movie’s director, Victor Fleming, got the idea from this cartoon.

Enjoy!

The latest from The Far Side

December 28, 2019 • 1:00 pm

Gary Larson, who has activated his Far Side cartoon site, is posting a spate of old but beloved cartoons. He doesn’t want other people posting them, and I will respect his wish to control his work. But I will put up a screenshot of the site, as you should go over there today (and regularly) to have a good guffaw. These cartoons, from Friday, include TWO about ducks (one of Larson’s favorite animals) and one about creationism; and they all have animals.

I’d advise you to bookmark the site and check it daily!

h/t: Peter N.

The Far Side returns!

December 18, 2019 • 1:30 pm

I’ve never met anyone who didn’t like Gary Larson’s cartoon The Far Side, but Larson retired from producing it in 1995: 24 years ago! It doesn’t seem like that long, for his cartoons are constantly circulating and are much beloved, especially by scientists. (Almost every biologist had a Far Side cartoon on their office door.)  I’m not sure why he retired, but it was a sad day when he put down his pen. It’s not his age, for he quit when he was 45, and it seemed a waste of an immense talent. Nobody was as funny as Larson, and nobody had as much biology—accurate but hilarious biology—in their strips.

But we have good news today, which was sent to me by several readers and is now on Wikipedia:

On September 13, 2019, the official Far Side site was updated with a major redesign, teasing that additional updates will be forthcoming. The full site was launched on December 17, 2019. It features a “daily dose” of several randomly selected Far Side comics, a weekly themed collection, and additional material including art from Larson’s sketchbooks. Larson, managing the site, said that while he does not plan to draw regular Far Side comics, he may include new material every once in a while when updating the site.

Now there still seem to be a few bugs, at least on Chrome, but I’m looking forward to some new cartoons, even if they’re sporadic. And the new site also collects many of his best cartoons in one place, which wasn’t possible before today.

In “A letter from Gary Larson” on the site, Larson attributes the new site to improvements in graphics and security:

Truthfully, I still have some ambivalence about officially entering the online world — I previously equated it to a rabbit hole, although “black hole” sometimes seems more apropos — but my change of heart on this has been due not only to some evolution in my own thinking, but also in two areas I’ve always cared about when it comes to this computer/Internet “stuff”: security and graphics.

Okay, so better security is, of course, just better security. But it helps. If they wanted to, I’m sure the Russians could get inside this thing and start messing with my captions. (I know they’re thinking about it!) But the other one — the advancements in graphics — has been a big incentive for me.

He then gives an example (which would make a great cartoon!) of how better computer graphics enables him to make better cartoons, which sort of implies that new ones are coming. And then he requests that people not reproduce his cartoons, a request that I understand and will respect, hard as it is not to show his best efforts. (My favorite is when a truck carrying rodents collides with a truck carrying small flightless birds, releasing the beasts to the street, while an indoor cat, face and paws pressed to the window, watches in excitement and frustration.)

And here’s his second reason for returning:

Finally, I also concede I’m a little exhausted. Trying to exert some control over my cartoons has always been an uphill slog, and I’ve sometimes wondered if my absence from the web may have inadvertently fueled someone’s belief my cartoons were up for grabs. They’re not. But it’s always been inherently awkward to chase down a Far Side–festooned website when the person behind it is often simply a fan. (Although not everyone is quite so uncomplicated in their motives; my cartoons have been taken and used to help sell everything from doughnuts to rodent control. At least I offer range.) So I’m hopeful this official website will help temper the impulses of the infringement-inclined. Please, whoever you are, taketh down my cartoons and let this website become your place to stop by for a smile, a laugh, or a good ol’ fashioned recoiling. And I won’t have to release the Krakencow.

So keep checking the new site, and let me know when new cartoons appear (right now most are recycled old ones, which you can see by looking at the date by the cartoon).

Another putatively anti-Semitic cartoon in the NYT?

April 30, 2019 • 1:30 pm

Just one day after I reported that the international New York Times published anti-Israeli/Trump cartoon that many have seen as anti-Semitic, they’ve published yet another dubious cartoon. And while I still can’t flat-out declare that yesterday’s cartoon was anti-Semitic, this one, reported in the Jerusalem Post and Fox News (of course this appears only on Jewish or right-wing sites) is also on the borderline. Have a gander:

As the Jerusalem Post says:

The cartoon depicts Prime Minister Benjamin Netanyahu with dark spectacles in place of his eyes, holding a tablet marked with a Star of David and taking a selfie, likely referencing that Netanyahu views himself as a modern-day Moses.

. . . The recent cartoon follows one in which US President Donald Trump was shown as a blind man being led by a dog marked with a Star of David and the face of Netanyahu.

Israeli cartoonist Zeev Engelmayer was one of the few people to publicly defend the cartoon, citing other cartoons who presented world leaders as dogs with an American collar (British former Prime Minister Tony Blair) and even biting (former Iranian President Mahmoud Ahmadinejad) in an opinion piece published in Haaretz. 

From Fox:

Jonathan Greenblatt, the CEO and national director of the Anti-Defamation League (ADL) called on the Times to take “immediate action” over the new cartoon.

“This is insensitive, inappropriate, and offensive. It shows once again that the @NYTimes needs to educate its staff about #antiSemitism. We call on them to take immediate action,” Jonathan Greenblatt tweeted Monday.

It’s the Star of David that makes me think this cartoon is verging on anti-Semitism, as it’s a symbol not of Israel but of Judaism. (Yesterday I revised my opinion a bit when it was pointed out that the Israeli “dachshund” had a Star of David rather than an Israeli flag on it.)  Regardless, the cartoon isn’t every a very good political cartoon: it’s not at all subtle, and how can a blind man take a selfie anyway? And it’s kind of dumb to publish this one in the same place after the NYT apologized for its earlier cartoon.

I’m calling this one ambiguous with regard to anti-Semitism. But you be the judge.

As for yesterday’s cartoon, here’s one commenter who did find it anti-Semitic:

https://twitter.com/NoahPollak/status/1122550036590542848