Religion poisons everything, including eagles

August 31, 2013 • 6:26 am

For crying out loud, what kind of morons would release a bald eagle in a chapel? The morons at Oral Roberts University, that’s who. ORU is a Pentecostal Christian University in Tulsa, Oklahoma founded by one of America’s most annoying and fraudulent preachers.

According to BuzzFeed, the eagle (named Louis) was released into the university chapel as part of a “spirit rally” to mark the beginning of the school year. As the bird flew around, the students chanted “USA! USA!”.  And then the eagle flew into a window.  The school reports that the bird wasn’t hurt, but what a stupid stunt!

Here’s the worst of America on display! NOTE: The video shows the eagle hitting the window, so don’t watch if that will disturb you.

Charge this man with animal cruelty!:

Picture 1

Why couldn’t God have directed its flight away from the window?  If he sees every sparrow fall, surely he sees every eagle fly.

h/t: Amy

Caturday felid trifecta: Col. Meow wins a prize, Monopoly adopts cat token, and kittens rescued from NYT subway

August 31, 2013 • 4:13 am

Thanks to the readers’ interest in cats, I’m being literally (not figuratively) inundated with feline-related items.  I have three for today.

The first is a report that the famous internet cat Colonel Meow, one of the most bizarre-looking cats I’ve ever seen, has won the Guinness Book of World Records prize for having the longest measured fur of any domestic cat (nine inches!). The Colonel was actually a stray who was rescued from the side of the road. PuffHo reports on Meow’s award:

Guinness World Records has officially recognized the two-year-old Himalayan-Persian crossbreed as the cat with the longest fur.

In order to get the hair-raising honor, three independent vets each meticulously measured 10 strands of kitty fur and came up with an average length that was submitted to Guinness.

When the fur was done flying around, the experts said Colonel Meow’s average hair length was a whopping nine inches.

As you might expect, most of Colonel Meow’s record-setting fur ends up on the floor, furniture and his owners Anne Marie Avey and Eric Rosario.

“Literally everything in the house has hair on it, including us!” Avey said, according to Guinness World Records. “I feel like I’m always vacuuming!”

Here he is with his certificate.

Screen shot 2013-08-29 at 5.48.28 PM
Reader Butter Cat (aka Anonypuss), although also long of fur and green with envy, sent these images of the Colonel:

la-colonel-meow-world-record-holder-for-longes-005

He resembles an Ewok, no?

la-colonel-meow-world-record-holder-for-longes-001

Colonel Meow has a Facebook page and some really funny videos.  He’s fond of Scotch, preferring, like Hitch, Johnnie Walker Black.

****

Here’s a heartening bit of news to which we all contributed. As announced by Yahoo.com, the Monopoly game is finally debuting its new CAT TOKEN. You may remember that, in January, I asked readers to vote for the cat over the other tokens in contention, including a stupid diamond ring, robot, helicopter, and guitar.

Thanks to your votes, and especially to Butter Cat, who has an amazing ability to vote repeatedly in these contests (remember when we won the internet “who-is-cuter:-kittens-puppies-or-babies contest”?), the sleek and stylish cat token won, replacing the dowdy old iron token.

Nearly seven months after winning a worldwide vote, the cat token is finally making its debut in the classic board game. Hasbro has officially begun rolling out the new gamepiece, which will permanently replace the iron token.

In addition to being packaged in new Monopoly boxes, the cat will also be making a public appearance at the 2013 Internet Cat Video Festival at the Minnesota State Fair later today.

The cat won the coveted spot in early February. Players were asked to choose between a cat, a helicopter, a diamond ring, a robot, and a guitar. Given the fact that Internet votes were accepted, it’s no big surprise that the cat won, capturing 31 percent of the vote.

As for the iron, it ends an impressive 78-year run in the game (it was one of the original metal tokens in Monopoly). It almost managed to extend that run, as the boot and wheelbarrow were also at risk of being sent to game token jail. In the end, though, they managed to edge out a win among voters.

Here’s the new token. Isn’t it lovely?

monopoly-cat-top

,***

Finally, this story has been all over the place, which goes to show you that the arc of morality bends towards justice. Here’s the report from the GlobalPost, in its entirety:

In what has to be one of the cutest travel snafus in New York City history, two rogue kittens shut down Brooklyn’s B and Q subway lines for over an hour Thursday, as staff staged a successful rescue mission.

Almost certainly aware that kitten endangerment is the worst PR possible, the Metropolitan Transportation Authority decided to cut power to the entire B line and part of the Q line, so that workers could safely search for the cats near the dangerously electrified third rail.

The third rail packs a whopping 600 volts of electricity, wrote Pix11.com. “If you touch that third rail, you’re not going to make it — people and especially cats, anything that moves,” said MTA spokesman Kevin Ortiz.

The kitten crisis appears to have begun early Thursday, after a woman reported that her kittens were loose in the subway system, reports the Associated Press.

Their adventure would last for seven hours, prompting many volunteers to help search for the adorable vagrants. Passengers were delayed, and a shuttle service was provided for points between the Q lines.

Two cops eventually were able to corral the kittens and whisk them to safety, reports the New York Daily News.

“The announcer said it had to stop to rescue some cats, said subway rider Sandra Polel to the New York Daily News. “I didn’t mind. I wanted to get home, but I also wanted the kittens to be safe.”

And of course there’s a YouTube video:

Now how did those kittens get there?

h/t: Michael, Steve Muth, Barry, Ginger K., and other readers who told me about the subway kittens

The adventures of Kingsford the piglet

August 30, 2013 • 12:34 pm

How could I resist, especially on a holiday Friday (it’s Labor Day weekend in the U.S)?

The cat is not impressed. And Kingsford’s difficulties descending the stairs remind me of an episode of Hill Street Blues (remember that?) when the cops were trying to remove a cow that someone had in a third-floor apartment. One of the cops said they should lead it down the stairs, and the other replied, “Down? Cows ain’t got no down genes!”

An essay for the language police

August 30, 2013 • 10:49 am

I’m not averse to making fun of erroneous language use; after all, I often post signs that I find humorously ungrammatical, and have criticized awkward and incorrect usage I’ve found elsewhere.  Where I draw the line, though, is when someone uses a language error to dismiss the entirety of what someone says.  That’s happened twice recently with my infelicitious use of the word “irregardless” (which is a word, by the way, just not standard usage).

Steve Pinker, who knows his onions about language, is, I think, writing a book about linguistics and learning to communicate in popular prose, and he should know what he’s talking about.  As far as I know, he’s pretty relaxed about language usage, and the other day tw–ted a reference to an article (I didn’t read the tw–t; someone sent it to me) that of course I was compelled to read.

Here’s his tweet, indicating that Steve agrees with its points:

Picture 1

And the article by Stamper, “A compromise: How to be a reasonable prescriptivist,” can be read on the website harm*less drudg*ery. Although I thought it was good, I wasn’t blown away by it.  I suppose it’s because the piece doesn’t really take a stand one way or the other, but says that one shouldn’t prohibit irregular usages, or police others who do so, but you can do that if the context is wrong.  I guess that’s a reasonable compromise, but I still have a gut feeling, probably based on the configuration of molecules in my brain, that some usages are simply wrong. The word “impactful,” for instance, grates on my brain like nails on a blackboard.

But Stamper’s essay is interesting and also funny. Here are her six steps to becoming a reasonable prescriptivist, with a few quotes (indented). (Stamper is an editor and lexicographer for the Merriam-Webster dictionaries.)

Step 1: Learn what prescriptivism and descriptivism really are.

Here is why we were all in a lather over those articles: “descriptivist” is not a slur, and neither is “prescriptivist” a title of honor (or vice versa). They are merely terms that describe two approaches to analyzing language use. They are not linguistic matter and anti-matter, and when brought together, they will not destroy the universe in a cataclysm of bombast and “ain’t”s.  Good descriptivism involves a measure of prescriptivism, and good prescriptivism involves a measure of descriptivism.

. . . In fact, do everyone a favor and just stop talking about “descriptivists vs. prescriptivists.” It’s a false dichotomy that only works if you construct a nonexistent descriptivist straw man as a foil to your upstanding-citizen prescriptivist (or vice versa. Prescriptivists don’t have the corner on language nastiness).

I’m not sure how useful this advice is.  The problem really comes down to “should one give advice to others if you think they’re using words incorrectly?”; and “Is that advice dependent on the context?”

Step 2: Learn what dictionaries actually do.

Something that really burns my proverbial biscuits is the musty insistence that dictionaries are the guardians and gatekeepers of the language, and when we enter a word into the Most Sacred Tomes of Webster, we lend it legitimacy. We’re putting our Seal of Approval on its unchecked use, which will eventually kill English.

Apparently Stamper, who should know, sees dictionaries as records of language rather than authorities about what is inviolable.  (She has another essay on that topic.) I have no problem with that, except that some dictionaries are prescriptive in a way.  Earlier in the essay, Stamper notes that a good dictionary would include “irregardless” (!) but note that it is not accepted as standard English.

Step 3: Educate yourself

. . . buy some usage dictionaries. At least two, preferably four, written by both descriptivists and prescriptivists. Arrange them near your desk in a way that is aesthetically pleasing. There. Aren’t they nice? They are nice. NOW READ THEM.

Most modern usage dictionaries will give you a little historical overview of a contested use, and then will offer advice on how (or whether) to use it.  You will be surprised to discover that many thinking prescriptivists disagree in their advice, or pass judgment on uses that are so common, no one knows they are not supposed to be using that word that way (e.g., “above” as a noun, as in “all of the above”).  A reasonable prescriptivist critically reads all the evidence and advice they can, and then makes their own judgment.

This is simply too much effort for me. So sue me.

Step 4: Remember that opinions and facts are two different things.   

My mother, bless her, claims that when I complete a task and holler “I’m done,” I am announcing to the room that I have reached a safe internal minimum temperature and hence will not give you trichinosis. “You’re done, are you? Should I stick a fork in you to make sure?”, she will tut. “You’re finished, not done.”

This reminds me of a story (which the Quote Investigator says is apocryphal:   There is a ribald anecdote about one of the world’s greatest dictionary makers that I would like you to explore. The tale claims that the lexicographer Noah Webster had a secret libertine inclination. One day his wife returned home and was shocked to discover him caressing and osculating the chambermaid.

The wife cried out, “Noah! I am surprised!” The stunned man’s reflexive thought patterns were immediately engaged, and he replied, “My dear, you must study our beautiful language more closely. It is I who am surprised. You are astonished.”

Back to Stamper:

Your personal language preference is yours, and it is unassailable. I can hurl citation after citation at it with my standard-issue Lexicographer’s Trebuchet, but a personal decision you make with and keep for yourself is inviolable. “I prefer to use ‘finished’ instead of ‘done’” is a statement that no thinking descriptivist will argue with, because you are not claiming it is a universal fact everyone should subscribe to. But saying “‘I’m done’ is wrong” makes what is an opinion into a fact, and baby, my trebuchet was built for nonsense like that.

I tend to agree, though not necessarily with “unassailable.” You can assail somebody for using language that is either misleading, confusing, or simply harsh to the ear.  That’s why good writing is smooth, flowing, and mellifluous.  If somebody tells me that an action is “impactful,” I’m not sure exactly what she means.

Step 5: Realize that you are not the center of the linguistic (or actual) universe.

I have a friend–well, a “friend”–who feels  it is his life’s mission to let me know when I’ve used a word incorrectly. He will stop a conversation dead in its tracks to share with me that I didn’t pronounce “towards” right, or that I should stop saying “howdy” out here on the East Coast because it’s hickish. It’s not just that our conversations are stilted because I can’t finish a sentence without being grammarsplained to; it’s that he makes these judgments based on his own dialectal language patterns. His experience becomes the standard for what is right and proper and good.  In other words, what he speaks is Standard English, and what everyone else speaks is Really Wrong.

Remember that, dear reader, before you call out Professor Ceiling Cat for his ill-advised usage.  Above all, never preface your center-of-the-universe corrections with the phrase, “I don’t mean to be a nitpicker, but. . . ”  Of course you do!!

But this is good advice:

No thinking descriptivist is going to disagree with you when you say that certain words should not be used in certain contexts. But a reasonable prescriptivist understands that different contexts and times often require different types of use, and they tailor their advice to the context and the era.  The best practices of written English have changed dramatically over the last two centuries. Language is flexible; advice regarding its best use should be as well.

Step 6: Lighten up, Francis

Let’s say that you feel, despite the evidence I may put in front of you, that “decimate” should not be used to refer to utterly destroying something. That’s fine, assuming you’ve gone through Steps 1-5 above. But before you move in to correct the next guy who uses “decimate” to mean “to utterly destroy,” consider: is this the hill you want to die on? Do you want your legacy in life to be “That One Person Who Bitched Endlessly About ‘Decimate’”? Are you happy with a life that will be beset by smart-asses like me asking why, if you are so interested in so-called etymological purity, you aren’t also tackling “nice” and “frankfurter” and holy hell half the month names of the Gregorian calendar?

The core question here is an existential, not a grammatical, one: why are you a prescriptivist? Perhaps you’re a professional editor and you need to uphold a style sheet that demands you subscribe to dusty old shibboleths (some of which you may adore). Perhaps you’re a writer and you don’t want to drive your editors crazy. Perhaps you feel that championing best practices makes for better reading and writing. Hell: maybe you just like following rules. Those are fine reasons for being a reasonable prescriptivist. But if you are a prescriptivist because it gives you a sense of superiority and inflated self-worth, a little pillar from which you can spit on the idiot masses below, then you are the sort of prescriptivist that is giving prescriptivism a bad name. Maybe take up yoga?

. . . The English language is not under attack by barbarians, and you are not her only hope. She’s taken pretty good care of herself, all things considered. Her best practices have always prevailed.  In short: be cordial, humble, and hopeful. It’s so much better than being miserable  and insufferable.

I tend to agree, although using “decimate” in its original sense, and knowing the difference between that and “destroy utterly,” is an interesting historical lesson.

The essay, then, seems to boil down to this: “Language is flexible, and don’t get all over someone for using a word in an ‘improper’ way.  There are no rules, even in dictionaries. That said, there are some contexts in which it makes sense to pay attention to language.”  That’s a lot shorter—though less entertaining—than Stamper’s essay.

I’m not trying to snuff out arguments about usage on this site. I think they’re fun, and I engage in them, too, as you’ve seen recently with my posts about ungrammatical signs. Still, let’s not take ourselves too seriously, and above all let’s not dismiss people’s entire argument simply because they use a word incorrectly. In fact, unless we’re specifically discussing language, why bother to point out someone’s “bad” usage?

That said, I despise the word “impactful,” and the words “gift” and “medal” when used as verbs. . .

Debate/discussion: Krauss vs. Craig

August 30, 2013 • 7:57 am

UPDATE:  It appears now that the first and third parts of the debate are posted at this link, but I don’t know where part 2 is. They’ve also separated the interviews with Krauss and Craig from the onstage exchange. The Bible Society also has written interviews with Krauss and Craig about the debate.  An excerpt from each:

[Interviewer]: What is your best evidence there is no God, and what’s the best evidence there is a God?

Craig: Well, I would say that the best evidence that there is a God is that the hypothesis that God exists explains a wide range of the data of human experience that’s very diverse. So it’s an extremely powerful hypothesis. It gives you things like an explanation of the origin of the universe, the fine-tuning of the universe, of intelligent life. But also the presence of mind in the cosmos, an objective foundation for moral values and duties, and things of that sort—it’s a wide range of data that makes sense on a theistic worldview.

In terms of the atheistic argument, I think probably the argument on the hiddenness of God would be the best. That God seems so absent sometimes when we need him most. And I think that one response to that hiddenness is to say, well he’s not there. And so that would be, I think, perhaps the best argument that the atheist might offer.

and

[Interviewer]:  What is the most persuasive argument that Professor Craig has; the hardest to refute?

Krauss: I’ve never heard one. I mean, they’re all subtle. I once said to someone, an old line from a Dick Van Dyke show: ‘what on the surface seems vague is in reality meaningless’. The point is that what [Craig] likes to do is take what may sound well defined, and it’s really sneaky. Back in Brisbane I showed a video of a guy nowhere near as subtle or smart as William Lane Craig, arguing that Jesus holds protons and neurons together, and it’s just laughable. But Craig does it much more subtly. It starts like it’s well defined and then he does some tricks.

I find… I will admit… I do believe, that in spite of the fact that I think he knowingly abuses science and other people’s arguments—distorts them— I think he does it because he believes in the end. He amazingly believes, wholeheartedly, in the scriptures. And I think his attitude is that because they’re right, anything goes to prove their right. But that’s not how we learn about the world.

We learn about the world by trying to prove ourselves wrong, not trying to find validation for our ideas. And that’s the dangerous idea that I want people to learn. It’s not just for religion, it’s for global warming and other important problems of our time. If you come into these problems knowing what’s right before even asking the questions, you’ll never get anywhere. So while Craig’s a good example of it, there are many others. Science teaches us to not trust our intuition and to be skeptical of ourselves as much as other people. And that I think is the most important thing.

________________

A few weeks ago, physicist Lawrence Krauss had a “conversation” (a more relaxed debate) with apologist and theologian William Lane Craig in Australia. It was actually in three parts, and called “Life the Universe and Nothing”.  The explanatory website is here, and gives the schedule, topics, and links:

Brisbane Aug 7
Has science buried God?

Sydney Aug 13
Why is there something rather than nothing?

Melbourne Aug 16
Is it reasonable to believe there is a God?

The first debate has now been posted, and reader Derek, who sent me the link, added this:

It almost seems like Krauss agreed to the discussion as an excuse to call out WLC on his dishonesty and distortions of science. The moderator is a little biased in favor of theology/philosophy, but I think LK actually did a good job and this was one of the few debates that wasn’t a clear win for WLC – the format helped as well, since it was more of a discussion and less timed podium switching.

The other videos should be up within a week or so – the word on the street is that Krauss dominated the final one in Melbourne.

I haven’t yet watched this, but I will. In the meantime, I won’t withhold it from the readers.  Do weigh in if you’ve watched the full two hours. The video begins with separate interviews with Krauss and Craig.

NOTE: if you can’t see the video here, just watch it on the Vimeo page. See “update” above for another link that includes part 3 of the debate.

Note: I don’t think I’m violating any rules by posting this, but the site notes that “The copyright for the Life, the Universe and Nothing videos is held by City Bible Forum. Prof Krauss has requested that these videos are not copied on to any device nor uploaded by anyone other than the City Bible Forum.”

In My Life

August 30, 2013 • 4:33 am

In my view, this song and “Yesterday” are the finest love songs ever recorded by the Beatles. In fact, I like this one even better than “Yesterday,” though it’s truly a close call.

“In My Life” is from the Rubber Soul album (1965), and is rated, deservedly, #5 on the Rolling Stone’s list of the 100 greatest Beatles songs. (It’s also ranked #23 on the same magazine’s list of the 500 greatest songs of all time.)*

It’s a perfectly written song, with lyrics that are simple but deeply moving, and has just two verses (no bridge) comparing the past to the present. The piano interlude, by George Martin, makes the song.

It’s surely one of the greatest rock ballads of all time. And Rubber Soul was the start of the greatest run of innovative rock music ever produced by one group.

This song is usually credited to Lennon, though, given its nature, one could easily imagine that it was written by McCartney. In fact there’s some dispute about who did what here. As Rolling Stone notes:

“In My Life” is one of only a handful of Lennon-McCartney songs where the two strongly disagreed over who wrote what: According to Lennon, “The whole lyrics were already written before Paul even heard it. His contribution melodically was the harmony and the middle eight.” According to McCartney, Lennon basically had the first verse done. At one of their writing sessions at Lennon’s Weybridge estate, the two painstakingly rewrote the lyrics, making them less specific and more universal. (Some of Lennon’s lines, like his reference to the late Stu Sutcliffe, the Beatles’ former bassist, in “some are dead and some are living,” remained.) McCartney also says he wrote the melody on Lennon’s Mellotron, inspired by Smokey Robinson, as well as the gentle opening guitar figure.

Regardless of its true authorship, “In My Life” represented Lennon’s evolution as an artist. “I started being me about the songs, not writing them objectively, but subjectively,” Lennon said. “I think it was Dylan who helped me realize that — not by any discussion or anything, but by hearing his work.” The Beatles were huge Dylan fans by early 1964, playing The Freewheelin’ Bob Dylan nonstop in between gigs. When Dylan visited the Beatles in New York that August, he famously introduced them to marijuana. (He thought the Beatles were already pot smokers, having misheard the lyrics “I can’t hide” in “I Want to Hold Your Hand” as “I get high.”) Dylan and pot would be the great twin influences that led the Beatles out of their moptop period and on to their first masterpiece, Rubber Soul.

Before that album, “We were just writing songs à la the Everly Brothers and Buddy Holly,” Lennon said, “pop songs with no more thought to them than that.” He rightly called “In My Life” “my first real, major piece of work. Up until then, it had all been glib and throwaway.”

I’d give Lennon most of the credit, but, as usual, without the synergy of McCartney this song would never have become a classic.

Lovely, no?

Wikipedia adds a bit about the recording:

The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting “something Baroque-sounding”. Martin wrote a Bach-influenced piece that he found he could not play at the song’s tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.

Here are the original lyrics (in Lennon’s hand, I believe), and you can see how much worse they were than in the final version:

Original_lyrics_to_John_Lennon's_'In_my_life'

*Can you guess what #1 is? Go over and see. It’s not “Layla,” though, which I’d rank as the greatest rock song of all time. But the Beatles are clearly the greatest group. I hasten to add that this is only my subjective opinion (though it happens to be correct).

Peregrinations and talks: Poland

August 30, 2013 • 4:27 am

I’m taking off Tuesday until September 18 for some R&R, as well as two talks, in Poland.  This is a place I’ve never been, and I’m terribly excited. Posting here may be lighter than usual, but I’m bringing my camera and connector cord, will have wireless, and so will try to document my adventures—culinary and otherwise.

Here is a note for Polish readers, or those who happen to be in Warsaw and Cracow, on where and when I’ll be speaking.

In Warsaw, I’ll be speaking on the incompatibility of science and religion on Thursday, September 12 at 6 p.m. The Polish Facebook page for the event, with a map to the venue, is here. This talk, as well as the one in Cracow was organized and sponsored by the Polish Sceptic Club, the Polish Rationalist Association, Psyche Books & Cafe and web portal Racjonalista.pl. I believe there will be a public discussion on science and religion, and perhaps a spontaneous debate, earlier in the day; stay tuned for information.

I’ll be speaking in Cracow on Sunday, September 15, at 1:45 pm on the evidence for evolution, concentrating on human evolution. Curiously, it’s for the tenth Annual meeting of the Polish Society for Social Psychology.

The talk will be here:

Institute of Applied Psychology of the Jagiellonian University
Łojasiewicza Street 4, 30-348,
Cracow

This talk is sponsored by the Institute of Applied Psychology of the Jagiellonian University, Psyche Books & Cafe, and the “Pragma” Association of Psychological Sciences.

I’ll also be visiting Auschwitz, which is only 60 km from Cracow.

Lady Madonna

August 29, 2013 • 12:13 pm

I’ve realized, as I think about my favorite Beatles songs, that I tend to choose ballads over hard rockers. But I’ll rectify that today with another of my favorites, “Lady Madonna,” recorded in 1968 (between Sgt. Pepper and Abbey Road), and released as a single. (It was later put on the “Past Masters” album, which I’ve never heard). It comes in at #82 on Rolling Stone‘s list of the 100 greatest Beatles songs. A rocking melody is combined with a poignant lament about the plight of an overworked Catholic woman, and the song is littered with clever references.

Wikipedia gives some background:

Lady Madonna” is a raucous rock and roll song.Paul McCartney based his piano part for the song on Humphrey Lyttelton’s 1956 trad jazz recording “Bad Penny Blues”, which George Martin produced.  McCartney said of writing the song in a 1994 interview, “‘Lady Madonna’ was me sitting down at the piano trying to write a bluesy boogie-woogie thing … It reminded me of Fats Domino for some reason, so I started singing a Fats Domino impression. It took my voice to a very odd place.” Domino himself covered the song later in 1968.

John Lennon helped write the lyrics, which give an account of an overworked, exhausted (possibly single) mother, facing a new problem each day of the week. McCartney explained the song by saying: “‘Lady Madonna’ started off as the Virgin Mary, then it was a working-class woman, of which obviously there’s millions in Liverpool. There are a lot of Catholics in Liverpool because of the Irish connection.” The lyrics include each day of the week except Saturday. In a 1992 interview, McCartney, who only realised the omission many years later, half-jokingly suggested that, given the difficulties of the other six days, the woman in the song likely went out and had a good time that day.

Speaking later about the lyrics, Lennon said: “Maybe I helped him on some of the lyrics, but I’m not proud of them either way.”

Well, I  think the lyrics are pretty good. The article adds:

The tenor saxophone solo was played by British jazz musician and club owner Ronnie Scott. The mix used in the single had removed much of Scott’s saxophone, but the versions on Anthology 2 and Love feature a more prominent use of his solo, at the end of the song. In a BBC documentary, Timewatch, McCartney explained the decision behind this. At the time Scott had not been impressed that his music had been hidden behind the “imitation brass vocals” by McCartney, Lennon and Harrison, so McCartney had decided to fix it with the most recent mix.

Finally, a bit from the Rolling Stone piece:

Musically, “Lady Madonna” has an earthier inspiration: the New Orleans piano boogie of Fats Domino. McCartney called it “a Fats Domino impression,” composed while trying to play something bluesy on the piano. The recorded version is a full-on tribute to the New Orleans R&B sound, with tootling saxophones. Domino must have taken it as a compliment. A few months after the song came out, he released his own cover version, which became the last Top 100 hit of his career.

You can hear Fats Domino’s version here. It’s okay, but McCartney’s is far better; Domino’s isn’t a reinterpretation but a simple imitation.