Jesus ‘n’ Mo, Calvin ‘n’ Hobbes, and Bonnie ‘n’ Clyde

September 10, 2014 • 4:58 am

This morning we have a fortuitous conjunction of three pairs of individuals—fortuitous because Albatross 2.0 will be done today and I will have little time to post here. Do not expect Deep Thoughts (which, according to philosophers and theologians, I don’t have anyway).

First the latest Jesus and Mo, relevant to our discussion of theology and the defense of atheism by Nick Cohen we discussed the other day. The artist adds this to the strip:

A resurrection from 2009, prompted by this great piece by Nick Cohen.

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And here is the latest Calvin and Hobbes, kindly provided by reader jsp. Here Calvin unwillingly strays into First Amendment territory. The Pledge, which includes the words, “One nation, under God,” has been repeatedly subject to litigation. The courts have ruled that no student can be compelled to say it, though it’s still controversial. 

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Finally, for some reason I was reading about Serge Gainsbourg  (1928-1991) the other night, a fascinating man who was a beloved French artist and songwriter, as well as a roué, an alcoholic, and a great friend of police and cabdrivers. I claim that only in France would he have achieved that renown, but he had a colorful life (read this article in Vanity Fair).

Gainsbourg was the lover of both Brigitte Bardot and, famously, Jane Birkin, with whom he had his biggest hit, the highly erotic duo “Je t’aime. . . moi non plus” (roughly, “I love you: me neither.”) You can listen to the released version here, but warning: NSFW. DO NOT LISTEN IN THE OFFICE. Despite (or perhaps because of) its sounds of love, up to orgasm, it topped the European charts, even making #1 in the UK.  The song was first recorded in 1968 with Bardot, but not released at her request because it was too salacious and she was still married to someone else (you can hear that version here, which was finally released in 1986). The famous version with Birkin was released in 1969. I remember hearing it in the U.S., but I think it was banned on most radio stations.

But while trawling YouTube for Gainsbourg songs, I found this one, which I’d forgotten. It ranks among the worst rock songs of all time in any language. The song is “Bonnie and Clyde” (1968), performed in French by Gainsbourg and Brigitte Bardot. The music video is so dreadful that makes me laugh, especially when, in the chorus, they pronounce “Clyde” with two syllables. I also love the way Bardot pronounces “Bonnie” as “Bunny.” Have a listen for as long as you can stand it. Of course it was a hit in France; they’re weird about these things. After all, they love Johnny Hallyday.

p.s. If you want to see Gainsbourg in his randiest drunkenness, watch this famous clip when he met Whitney Houston on a French television station (especially 1:17!).  Also mildly salacious.

Wednesday: Hili dialogue

September 10, 2014 • 3:19 am

I am told this occurred because Hili heard Malgorzata and Andrzej talking about my own “albatross,” and so the cat decided that she must have seen one of the birds.

Hili: I’ve seen an albatross over the river.
A: Maybe it was a seagull.
Hili: Maybe.

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In Polish:
Hili: Widziałam nad rzeką albatrosa.
Ja: Może to była mewa?
Hili: Może.

 

Sheffield evolution murals

September 9, 2014 • 1:22 pm

by Matthew Cobb

My daughter Lauren is about to go off to Sheffield University to study Zoology. She’s the third generation Cobb to go to Sheffield (I studied Psychology there, and my father studied Geography). I was very pleased to see on the Tw*tter feed of poet Ian McMillan (@IMcMillan), the Bard of Barnsley, that Sheffield has got itself some lovely evolutionary murals – the first of David Attenborough, the second of Darwin, both of them by the same artist (the first picture is by McMillan, the second is taken from here).

Attenborough

Darwin

These are the work of Rocket01, who says on his website:

I’m an artist based in Sheffield UK, specialising in Graffiti Art, Mural Art, and fine art. I paint on canvas, or take on commissions painting interior and exterior artwork in peoples homes or businesses and on walls around the city.

Here’s a picture of him at work on the Attenborough mural:

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He says of the Attenborough mural:

In 2012 I was asked to paint a logo on the side of anestate agents on Charles Street in the centre of Sheffield. I went for a short meeting with the guy in charge who told me he wanted the logo painting quite large.

I was more than happy to paint what he wanted, but after giving it some thought I realised I had a great opportunity to paint something better right in the heart of the city.

I gave the guy a quote for the job he wanted and thendiscussed another idea to paint something of my own choice totally unrelated to his business but for free ! We talked about what I might paint and he agreed, he also agreed to pay for the cherry picker if I paid for the paint. It was a done deal !

I got a smooth concrete dream wall in the centre ofthe city ….

He got a mural on the side of his premises that gets his business more attention than a logo would have done !

He has also done a portrait of Darwin:

Darwin2

He says:

After i painted the huge Darwin wall it felt natural that i’d have to paint him onto a canvas.

The painting measured 60x30cm and was painted onto linen using spray paint and brush work.

I wanted to add the badges to the canvas similar to the ones i had painted onto the collar of Darwin when i did the wall, but this time i thought i would add ‘real’ badges to the canvas by piercing them through the surface of the painting.

The badges shown in the photo were my own attempts at hand drawing the lettering onto them, i later decided to have them custom made and the end result was much better.

The badges were

I love evolution

I love green

I love Rocket01

and the CND badge

The piece was recently sold before any body got to see it, i think it was a Valentines gift for a lady who worked as a scientist, from her husband who was a biologist !

You can buy some of his works, including a nice large photo of the Attenborough mural for only £18.

 

 

 

 

U.C. Berkeley chancellor hedges on free speech

September 9, 2014 • 12:06 pm

Over at the lawyers’ website Popehat, Ken White has posted a letter that Nicholas Dirks, Chancellor of the University of California at Berkeley (that’s the top dog) sent to all the students, faculty and staff on September 5. White analyzes the letter line by line, and I’m sure, that as a free-speech lawyer, his analysis is excellent. But I didn’t read his analysis because I wanted to offer my own take on the letter without being influenced by someone else. So first, here’s the letter, which may be a bit hard to read:

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The first two paragraphs giveth, and the rest taketh away. Especially telling is the sentence in the third paragraph, “As a consequence, when issues are inherently divisive, controversial and capable of arousing strong feelings, the commitment to free speech and expression can lead to division and divisiveness that undermine a community’s foundation.” I read that as “you can say what you want so long as you don’t make anybody else ‘feel strongly,’ or become offended.”

That takes the wind right out of free speech. What’s the point of having it if you put the damper on stuff that offends other people? We better not talk about abortion, politics, the Middle East, gay marriage, or anything that could “offend” someone.

To promulgate the notion that free speech should be controlled if it’s divisive—and, on of all places a college campus—is ridiculous. Campuses are supposed to be the bastions of free speech, the place where you learn to tolerate dissent and examine your own views by listening to opposing ones. If you never get upset or offended, you’re living in an echo chamber.

The next paragraph simply underscores the previous one: we can have free speech, but it’s best that everyone feel “safe and respected,” and is treated with civility.  Well, yes, if your speech endangers someone directly, that’s illegal, as the courts have ruled, but all too many people take any strong opposition to their views as “disrespect” or “uncivil behavior.” What’s genuinely disrespectful is not affording someone the dignity and respect due them as feeling human beings, but that doesn’t mean you have to tread softly around their opinions. Muslims, in particular, feel offended and disrespected when their faith is criticized, but they’re far from alone. Christians, too, are crying about being persecuted these days.

The Chancellor is tiptoeing around the issue, but I’m pretty sure that by exercising free speech “graciously,” he means, “try not to upset anybody.” Well, as many have said, including Stephen Frye, nobody has the right not to be offended. Chancellor Dirks is suggesting in his screed that folks on his campus have the right not to be offended by someone else’s speech. But when that conflicts with the right to say anything you want, the First Amendment should win. If someone called me a “dirty Jew” on my own campus, of course I’d be offended, but not for a second would I want to ensure that they couldn’t say that again on fear of punishment. If somone told me that I was a murderer because I favor abortion, I would be a tad upset, but others would be deeply offended. Nevertheless, I would never try to curb their speech on the grounds that I don’t like it. Nothing should be off limits. Anything that’s led to moral progress was at one time considered divisive. And of course some epithets will be genuinely tasteless and mean-spirited, but so what? We’re adults and we should learn that such speech should not be banned, but countered with opposing speech.

Chancellor Dirks, I think, is trying to curb “offensive” speech without saying so directly. He cloaks his email in soothing words like “graciously,” “civility,” and “respect,” but I think I know what he means. And what he means is not good for higher education.

 

Illusion explained

September 9, 2014 • 9:16 am

Well, sort of, because it’s long and complicated, and you might not want to go through it. This drawing, which I presented yesterday, is a version of the Café Wall Illusion (the link tells you how it got its name). The lines look curved, but are really straight, as you can check with a ruler or piece of paper:

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It also comes in a version lines that don’t appear wavy, but tilted:

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The explanation is given in an online paper (reprinted from Perception [1979]) by Richard Gregory and Priscilla Heard.  It involves the luminescence of the squares, the width and luminescence of the separating “mortar” lines, and the degree of offset of the squares.

If you click on the screenshot below, you can go to a site where you can vary these things with slider buttons, and see how they affect the illusion:

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John Dickson at the ABC: Theology is so sophisticated that it doesn’t need a subject

September 9, 2014 • 7:40 am

At the “Imagine No Religion” meetings in Kamloops, British Columbia, I was discussing “Sophisticated Theology”™ with ex-preacher and current Freedom from Religion co-President Dan Barker. And Dan made two quips: “Theology is a subject without an object” (that’s a grammatical double entendre, which I didn’t catch till later), and “Theologians don’t have an object to study, so they just study what other theologians say.” That sounds snarky, but it’s absolutely right. What good is a discipline that tries to tell us about the qualities of a nonexistent object? It’s as useful as a bunch of scholars trying to tell us about the characteristics of the Loch Ness Monster, or Paul Bunyan. Worse—the scholars want to tell us what kind of behavior Paul Bunyan requires of us.

Well, I thought I’d heard it all until reader Nick sent me a link to an article by John Dickson at the Australian Broadcasting Corporation’s The Drum site, a piece called “Why theology matters even if there’s no God.”

Yes, that’s right: the title perfectly sums up the content. The Theology Express has finally jumped the rails.  On the occasion of the death of German theologian Wolfhart Pannenberg, Drum is inspired to defend theology:

It’s as good a time as any, then, to offer a brief defence of this “queen of the sciences” against the taunts of atheists like Richard Dawkins and Lawrence Krauss, who say that theology is not even a “subject”, let alone a discipline in a modern university.

“Queen of the sciences”? It’s hardly a science, so what loon thought up that Middle-Age monicker? It may have been okay before there really was science, but it’s laughable to use the term now.

And then Dickson shows why theology matters (his quotes are indented):

1. Theology requires lots of skills.

I have found ancient history much easier – as a discipline – than theology. Why? Because theology incorporates pretty much all of the basic skills of the historian plus a ton more. Today’s professional theologian will have a good knowledge of ancient languages, including Hebrew, Greek, and Latin, as well as full reading fluency in modern English and German (a requirement for all theologians today, regardless of nationality).

Not only must they be across the history of both the Old and New Testaments – that’s ancient near eastern history and Graeco-Roman history – they will have a thorough knowledge of church history, that is, the history of thought from Augustine, through Aquinas, to the modern day greats like Karl Barth, Jürgen Moltmann, Colin Gunton, Miroslav Volf, and the incomparable Wolfhart Pannenberg.

That’s just the beginning.

Virtually all academic theologians today have advanced training in philosophy. They are happy to talk to you about how the Aristotelian world view established and impeded medieval learning, or why empiricism flourished in 15th-16th century Europe under the influence of Augustinianism, or how the latest philosophy of mind impacts the Western notion of the “person”. I only know enough of these things to mention them, briefly, in an opinion piece, but my theologian friends could write you an essay and prepare you a reading list on all these topics and more.

All this shows is that some of theology’s practitioners are educated. It does not show that they are doing anything useful. True, Biblical scholars unravel the history of that document, and “church historians” can tell us about, well, church history; but neither of these areas are theology proper: they are history and literary archaeology. I looked up “theology” in the Oxford English Dictionary, and here are pretty much all the definitions:

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That’s pretty much it. There’s no mention of Church history of Biblical scholarship here.  Theology is the study of God and his attributes, i.e., the study of the unevidenced divine.  Insofar as it includes “philosophy,” that philosophy is useful only as long as it’s not about God.

2. And theologians know a lot about the history and philosophy of science, too!

Some of the best theologians today also have expert knowledge of the history and philosophy of science. Yes, science. When my atheist friends have challenged me over the years about the “conflict” between science and Christianity, I’ve usually directed them to the three-volume Systematic Theology by Pannenberg, where readers will find an interlocutor thoroughly at ease with the questions thrown up by modern physics and biology.

Give me a break. There is an entire secular discipline devoted to the history and philosophy of science. Most of its advocates are nonbelievers, and it includes people who, unlike John Polkinghorne and Alister McGrath, don’t try to show how the disciplines are compatible, how they can be mutually supportive, or engage in other kinds of shady accommodationism. Can you seriously maintain that theologians make more of a contribution to the history of science (or any contribution to the history of science) than do real historians of science.? No—no more than theologians make real contributions to philosophy.

3. Theology makes real contributions to other academic areas.  To wit:

Practically no important field is untouched by the discipline of theology. How does brain science challenge the Western notion of the self? How was the Graeco-Roman notion of honour subverted by the New Testament emphasis on humility? In what ways do ancient and modern notions of martyrdom differ? How does the doctrine of the Trinity find expression in some of the great classical composers? How does time relate to eternity? What does quantum mechanics say about the notion of divine freedom, and vice-versa? Can innate human rights be grounded without a theistic framework? How does the biblical view of forgiveness contribute to modern attempts at reconciliation? All of these and more are proper theological topics.

I’m sorry, but we have no need of theology to answer these questions: they are the purview of the history of religion, secular philosophy, history by itself, musical history, and physics. As for questions like “what does quantum mechanics say about the notion of divine freedom?”, the answer is this: NOTHING.  Likewise about whether innate human rights require God for grounding, a question long ago answered in the negative secular philosophers. Remember the definition of theology above: it is the study of God and his nature.

4. Theology is “integrative”.

Theology is perhaps the most comprehensive integrative discipline around. It explores all important forms of human knowledge and probes how they shed light on Christian belief and, indeed, how Christian belief might shed light on them. And given that more than two billion people today identify as Christian, these attempts to integrate human knowledge are perfectly relevant and academically sound.

Christian belief is a fact; it is a phenomenon of the real world – just as Australian history is, or Shakespearean literature, or Aristotelian philosophy, or feminist studies, or anthropology, or musicology.

Christian belief as a phenomenon, as is any religious belief, is the purview of the history and sociology of religion, not of theology. Dickson takes great care to conflate all of these areas, so that anything involving the study of religion as a phenomenon, or or religious books and their origin, becomes “theology.” I suppose, then, that Dan Dennett’s book Breaking the Spell:Religion as a Natural Phenomenon is a work of theology, too. As is the work of many Biblical historians or scholars of religion, many of whom are atheists. In Dickson’s world, but not in anyone else’s, atheists can be theologians.

In the end, theology as defined above—the study of the nature and characteristics of God, and how he supposedly interacts with the universe—can reveal nothing that is true. What it can tell us is only what theologians think is true, and those views, of course, are in conflict with one another. There is no way to adjudicate between Muslim theology, Hindu theology, and Christian theology, all of which contradict each other.

Theology, in short, is a useless discipline—as useless as Paul Bunyan-ology. Theologians practicing the craft I’ve defined have contributed not one iota to human knowledge. They are useless intellectual appendages: as vestigial in modern times as are the muscles that move the human ears, muscles that serve no purpose but testify to the activities of our ancestors.

How sad that smart people, and many theologians really are smart, are wasting their time in such pursuits, and that respectable universities have schools of theology that are largely devoted to explicating and interpreting God. But now it’s time to put away our childish things and study areas that really matter. Even fields where there is little objective “truth”, like the arts and humanities, are far more valuable than theology, for they can bring some beauty into our lives and enrich our experience of the Universe. Theology does none of that; rather, it pretends to find truth. Think of how much more we’d know if theologians gave up their futile scribblings and went into truly meaningful disciplines!

The fatuity of Dickson’s thesis is summed up in its last line:

Even if there is no god, in other words, theology remains one of the most subtle and sophisticated academic pursuits on the planet.

That is no more a justification of theology than if a bunch of smart and educated people engaged in “Ancient Greek theology,” trying to discern the nature and will of Zeus, and how he interacted with the world. Or if there was a school of “Scientological theology,” studying the nature of Xenu, and and its implications for our behavior. We would see such endeavors for what they were: a waste of time. We should see Abrahamic theology as a similarly useless endeavor. To paraphrase Laplace, we have no need of that discipline.

Do note that Dickson is described on his website as “a founding director of the Centre for Public Christianity (CPX), an independent research and media company promoting informed discussion about social, ethical and religious issues in modern life.  . “. The page also extols “[Dickson’s] passion for promoting the public understanding of the Christian faith.” He also has a degree in theology.  Is his assessment unbiased, then, or merely a defense of how he’s chosen to spend his life? I smell vocational apologetics.

 

Google Doodle celebrates Tolstoy

September 9, 2014 • 6:21 am

Today is Tolstoy’s 186th birthday (9 Sept. 1828-20 Nov. 1910), and Google has celebrated with an animated Doodle recounting his best works. You can get to it by clicking on the screenshot below, and you advance from work to work by clicking on the arrows that will appear.

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The Guardian took a break from its atheist-bashing to explain both the Doodle and the intentions of the artist, Roman Muradov. Be sure to click on the link to see Muradov’s piece:

Artist Roman Muradov has also picked out scenes from The Death of Ivan Ilyich for his Google doodle. In a piece written for the search engine, the illustrator, who has also recently designed and illustrated the centennial edition of James Joyce’s Dubliners for Penguin Classics, said the tribute to Tolstoy was a “daunting task”.

“No set of images can sum up a body of work so astonishing in scope, complexity, and vigour – its memorable scenes come to life with seeming effortlessness, fully realised in the immortal lines and between them,” he wrote. “Tolstoy’s lasting influence is a testament to the power of his art, which will remain relevant as long as the questions of life and death occupy our minds, which is to say – forever.”

Tolstoy wrote what I consider to be the best novel of all time, Anna Karenina, though I’ve read it only in the Constance Garnett translation and I’m told there are even better ones.  His second-best piece (though not the second best work of all time, which I consider to be The Dead) is The Death of Ivan Ilych, which is a gut-wrencher. It was such a realistic portrayal of death that it was once (and still is, I think) used in medical schools to teach students what it is like to die, and to make them more empathic.

Hail to the Lev! Here he is at age 20, looking nothing like the bearded patriarch he became later:

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