A new liberal website—and some pieces to read

February 27, 2017 • 8:30 am

I’m not sure when the website Areo Magazine started, but it was just called to my attention, and, like Quillette, it’s worth following as a liberal website that eschews the excesses and authoritarianism of the Regressive Left. It’s edited by Malhar Mali, who told me that the site “is focused around Free Expression, Humanism, Politics, Culture, and Science.”  I’ve put screenshots below of a few recent articles, which you can read simply by clicking on the screenshot. As you can see from this sample, it’s a progressive site that’s also critical of the excesses of the Left. Have a look.

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And speaking of Quillette, here are two new articles worth a look (again, click on the screenshot to go to the pieces):

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As I looked through both websites, and read some of these pieces, I felt once again the loss of Christopher Hitchens. Imagine what he’d have to say these days about the excesses of the Left—particularly its attacks on free speech! No one has (or can!) step up to fill his shoes.

 

Readers’ wildlife photos

February 27, 2017 • 7:30 am

We have a potpourri of Ceiling Cat’s creatures today; don’t forget to keep sending in your good wildlife photos (please, nothing out of focus).

Here’s a garden spider from reader Kevin Eisken; does anyone know the species?

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Reader Roh Shaw sent a photo that may be a a Clark’s spiny lizard (Sceloporus clarkii) from Tucson, Arizona.

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Reader Garry VanGelderen sent three pictures of a red fox (Vulpes vulpes), the first on February 20.

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The next day we got another shot:

The same fox  (that I sent you a pic of yesterday) showed up again this morning. Got 2 shots of through a (dirty) window. In the first pic he is crouching to listen for a prey animal (most likely a vole) that is somewhere under the snow. In the second pic he is getting ready to do the classic jump-dive. Missed that last shot of the dive: he didn’t get his target. Saw him do it later again further away from the house and he did get something. I couldn’t identify what it was.

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And a bunch of nature photos from reader Nicole Reggia, who lives in eastern Pennsylvania. I’ll leave it to you to identify the species:

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Chipmunk!

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My favorite is this picture of damselflies mating en masse:

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Monday: Hili dialogue (and Leon monologue)

February 27, 2017 • 6:30 am

It’s Monday again: February 27, 2017, and remember that tomorrow is the last day of the month. Today is a double food holiday: National Strawberry Day and National Kahlua Day. It’s also International Polar Bear Day, so give a thought to an animal most likely doomed by global warming.

On this day in 1900, the British Labour Party was founded and, on February 27, 1933, the Reichstag Fire took place in Berlin. The Nazis, who may have set the fire themselves, blamed a Dutch communist, which gave them the excuse to crack down on Germany and solidify their power. On this day in 1940, carbon-14 was discovered by Martin Kamen and Sam Rubin; it proved a valuable way to date more recent organic artifacts, but that took 9 years and the technical expertise of Willard Libby, who won the Nobel Prize in Chemistry for radiocarbon dating. Finally, on February 27, 1951, the 22nd Amendment to the Constitution was ratified, limiting American Presidents to two terms in office. (Franklin Roosevelt was elected for four terms.)

Notables born on this day include Hugo Black (1886), Marian Anderson (1897), John Steinbeck (1902), Lawrence Durrell (1912; read his superb Alexandria Quartet), Elizabeth Taylor (1932), and Alan Guth (1947). Those who died on this day include Ivan Pavlov (1936), Frankie Lymon (1968), Konrad Lorenz (1989), Spike Milligan (2002), William F. Buckley, Jr. (2008), and Van Cliburn (2013).  Meanwhile in Dobrzyn, editor Hili is kvetching to Andrzej about the disarray of the newsroom:

Hili: Is it possible that he ever tidies this up?
A: Get thee to a nunnery.
(Photo: Sarah Lawson)
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In Polish:
Hili: Czy jest możliwe, że on tu czasem sprząta?
Ja: Idź Ofelio do klasztoru.
(Foto: Sarah Lawson)
 In nearby Wloclawek, the weather has warmed up enough for Leon to start his spring walkies:

Leon: I decided that it finally was warm enough and I deigned to go for a walk.

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As lagniappe, we have a special Gus video today, with the Earless White Cat playing the “Mouse Game” with staff Taskin. Be sure to watch till the end.

New York Times to air anti-Trump ad during Oscars, Trump fights back

February 26, 2017 • 5:53 pm

In all my life I’ve never seen anything like this. First Trump goes after the press, which of course has alienated the media to the point that it’s striking back—not explicitly at the President, but at the cavalier attitude towards truth held by him and his administration. Here’s a 30-second ad, prepared by the New York Times, that will air during the Oscars.

The message, involving conflicting claims, is clear: it is journalism (e.g., the Times) that is the seeker of the truth, and the truth will out.  It worries me a bit that the press is getting explicitly adversarial, though that doesn’t worry me near as much as do Trump and his shenanigans. I get the feeling, and I may be wrong, that even the good gray Times is becoming somewhat less than objective. But of course what’s happening in our government may have made me mistake rancor for objective press coverage of pervasive idiocy.

Such displays on both sides are unprecedented, even during Nixon’s anti-press Watergate debacle.

Also unprecedented is Trump’s response—on Twitter, of course:

Governance through Twitter repels and sickens me, as does Trump’s nasty remarks about “fake news” and the Times itself.

Expect a lot of political speeches at the Oscars tonight. I won’t be watching, as that ceremony never excites me, and I’m not in the mood for virtue-signaling from Hollywood. I know where I stand—firmly against Trump and his Republican cronies—and I don’t need Meryl Streep to tell me.

 

Michio Kaku gets human evolution all wrong on The Big Thunk

February 26, 2017 • 12:32 pm

UPDATE: I forgot that I had an earlier post showing Kaku embarrassing himself about his own field, also on The Big Thunk. Go here to see the fun.

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When I saw this video on Larry Moran’s Sandwalk site, I remembered an old Jewish joke that goes something like this (“schnorrer,” by the way, is Yiddish for “beggar”):

A schnorrer knocked on the door of the rich man’s house at 6:30 in the morning.
The rich man cried “How dare you wake me up so early?”
“Listen,” said the schnorrer, “I don’t tell you how to run your business. Don’t tell me how to run mine.”

So I don’t make videos pontificating about the meaning of quantum mechanics, but Michio Kaku, a former physicist and now science popularizer, has the chutzpah to make videos about evolution, and to pronounce on whether evolution is happening in Homo sapiens right now. Here’s his mind-boggling take from The Big Thunk, in which he confidently proclaims that our species has stopped evolving.

How many misstatements can you find in this video? Besides the crazy idea that continents evolve,  and that the large brains of humans evolved to help them “live in the forest” (we got big brains long after we came down from the trees to live on the savannah), he says that evolution happens “every time two people mate” and “in our immune systems”—but doesn’t say what the hell he’s talking about. Our immune systems do respond to the incursion of antigens, but that’s not evolutionary change, i.e., not change that is inherited.

But of course we do have evidence that humans are indeed evolving “on the gross level”. As I’ve written before, we have evidence for humans evolving in “real time” (over two generations) for some traits, and for evolution in the last 10,000 years for many others (see here, herehere, here, and here.) And this is despite the fact that because of transportation, humans are mixing their genes among locations, slowing down any adaptation to local environments.  Further, there may be global evolution of our species that we simply can’t detect because the genes have effects too small to be seen in one or a few human lifetimes (a gene increasing the reproductive output by 0.01%, for example, would sweep through our species but be undetectable in real-time studies.)

Kaku always rubs me the wrong way. Like Bill Nye, he always seems to be communicating a faux excitement (and, like Nye, sometimes he doesn’t get his biology straight)—as if he’s trying to get famous instead of communicating. Neil deGrasse Tyson has a bit of that, too, but I think Tyson really is excited by his subjects as well. For me, Carl Sagan will always be the premier science communicator, because I always sensed true wonder rather than careerism when I heard him. (I get the same impression from David Attenborough.)

Who do you think are the best science communicators, and by that I mean people who know their onions, are engrossing, and are not flawed by visible ambition?

After listening to this travesty, Larry asked this question:

Is there something peculiar about physicists? Does anyone know of any biologists who make YouTube videos about quantum mechanics or black holes? If not, is that because biologists are too stupid … or too smart?

I think it’s the latter. And I won’t be making videos on cosmology for The Big Thunk.

Are “feminist” celebrities really feminist? Jessa Crispin’s take

February 26, 2017 • 11:00 am

UPDATE: For a recent critique of intersectional feminism, see this article at the new site Areao by Helen Pluckrose.

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As a male, I bridle at having to define the term “feminism”, as my possession of a Y chromosome gives me a perceived lack of credibility. If pressed, I guess I’d say it’s the proposition that men and women should be considered moral and legal equals, with nobody discriminated against on the grounds of sex (or “gender”). I suppose that makes me an “equity feminist”, a species not in good odor.

But that’s not nearly good enough for Jessa Crispin, whose op-ed in today’s New York Times,What to ask a celebrity instead of ‘Are you a feminist?‘”, is a strong indictment of forms of feminism even more radical than my tepid definition above. Crispin certainly does have street cred: she used to work for Planned Parenthood, and was editor of the feminist literary site Bookslut, which apparently folded last May. She also wrote Why I Am Not a Feminist: A Feminist Manifesto, which came out only five days ago (see the New Yorker‘s summary and review here).

What is Crispin’s beef against feminism? Apparently that the way it’s conceived by most women is it’s not “intersectional” enough, i.e., not tied sufficiently closely to social movements. While most intersectionality for feminists deals with issues of race and ethnicity, Crispin’s view is that feminism is far to cozy with capitalism, neglecting those who are marginalized because they’re poor. As Jia Tolentino in the New Yorker noted:

The most vital strain of thought in “Why I Am Not a Feminist” is Crispin’s unforgiving indictment of individualism and capitalism, value systems that she argues have severely warped feminism, encouraging women to think of the movement only insofar as it leads to individual gains. We have misinterpreted the old adage that the personal is political, she writes—inflecting our personal desires and decisions with political righteousness while neatly avoiding political accountability. We may understand that “the corporations we work for poison the earth, fleece the poor, make the super rich more rich, but hey. Fuck it,” Crispin writes. “We like our apartments, we can subscribe to both Netflix and Hulu, the health insurance covers my SSRI prescription, and the white noise machine I just bought helps me sleep at night.”

That this line of argument seems like a plausible next step for contemporary feminism reflects the recent and rapid leftward turn of liberal politics. Socialism and anti-capitalism, as foils to Donald Trump’s me-first ideology, have taken an accelerated path into the mainstream. “Why I Am Not a Feminist” comes at a time when some portion of liberal women in America might be ready for a major shift—inclined, suddenly, toward a belief system that does not hallow the “markers of success in patriarchal capitalism . . . money and power,” as Crispin puts it.

And Crispin expands this argument in her New York Times piece, which criticizes celebrities who parade their feminism on the red carpet. She takes out, for instance, after someone regarded as a demi-god by places like PuffHo: Beyoncé:

The old feminist archetype — a rejection of all hair products, the swollen bellies and bosoms of the Venus de Willendorf, and oh my god I don’t think they even wear high heels — was at odds with the gazelle-like stature we prefer for female celebrities.That has changed. There has been an aggressive marketing campaign within the feminist community to make it less scary, more sexy. As a result, more women are likely to call themselves feminist, but the word has also lost most of its meaning.

Beyoncé performs in front of a “Feminist” sign. But she is a brazen capitalist who gives private concerts for the executives of corporations like Uber, a company that has a long history of labor and sexual harassment violations. She has been accused of borrowing the work of some female artists, including the choreographer Anne Teresa De Keersmaeker, or being slow to attribute their work.

What does it mean that she calls herself a feminist? Does it just mean she believes in her ability to make money? Why do we look to famous women to tell us how to feel about feminism?

And that last question is a good one. I wouldn’t, for instance, consider Meryl Streep more of an expert on feminism than someone like Crispin who’s worked in the movement for years.

Although I don’t think Beyoncé performed at Uber before the recent revelations of galloping sexism in the corporation, the excerpt above is a fair indictment. What does Beyoncé mean by “feminism” beyond the fact that she writes about empowering women and becoming successful by taking control of her own life?  I won’t question her self-description, but Crispin does, and then lists eight questions she’d like to pose to celebrities interviewed at events. Here they are:

1. Oh, don’t worry, I’m not going to ask you to justify why you’re making a movie with a man who was recently arrested for domestic abuse! [JAC: Being culturally illiterate, I’m not sure to whom she’s referring here.] None of my business. But when was the last time you chose to work with a female director, producer, director of photography, writer or key grip?

2. As your body is setting the standards for beauty among preteen girls who also want to be pretty and loved, how hungry are you right now?

3. I love your new line of girl power T-shirts! So chic. Do you know how much the Bangladeshi women and children who sewed them were paid for their labor?

4. If you say you are a feminist, are you more of a bell hooks feminist? A Shulamith Firestone feminist? No, no, Shulamith Firestone, the writer, not a juice cleanse. O.K., well, are you an Emma Goldman feminist?

5. Let’s do a multiple choice! I want to know if your feminism is intersectional. Here are five possible definitions for the word “intersectional” — give it your best shot.

6. Do you know how much your male co-stars are making? Do you know how much the cleaning women on set are making?

7. What is the carbon footprint on your private jet?

8. Oh, so you’re thinking of moving to Canada now that Donald Trump is president? Do you think your life, insulated from his policies by your fame and money, has been affected by his administration?

In other words, she indicts celebrity feminism—and by extension many liberal feminists—because they’re not doing enough for poor women, or poor people in general.  They’re concerned with their own status/victimhood/position in society. While some of the questions above are a bit jocular, they all have a serious bite.  And I don’t know how to judge them. Is a “real” feminist involved in multiple issues of social justice? If they talk a good game, or write on their websites, but don’t really improve the lot of the poor, can they call themselves feminists?

I have no dog in this fight, as I think the question of “intersectionality” complicates nearly every ideological issue of the Left. Can you be an anti-racist if you’re not at the same time a Crispin-style feminist? Can Christina Hoff Sommers be seen as a feminist if she favors equality of opportunity but not equality of outcome? Does being a feminist mean passing a purity test on every social issue that presses on us now? (I doubt it, if for no other reason than everybody can’t work on everything. People have priorities.) I consider myself a male feminist (but I am loath to say that for fear of opprobrium), but Crispin would vehemently disagree. But does it even make sense to argue about the meaning of the term?

Crispin apparently thinks it does. I’m not so sure. We can argue about the value of combining moral equality of the sexes with other social causes, but that’s a question of philosophy and social activism, not of semantics. After all, Peter Singer would probably espouse the very same goals as Crispin does, at least for wealth, but isn’t ever seen as a feminist, though his recommendations meet Crispin’s test far more than those of many women.

Give your definition below, or state whether you think that definitions of or purity tests for feminism are useful.

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Jessa Crispin

A clever new hypothesis about insect mimicry

February 26, 2017 • 9:00 am

Over the years I’ve written here about several kinds of mimicry. The most common subjects have been Batesian mimicry, in which the evolutionary scenario involves three species: an easily identifiable and noxious or toxic model, a predator that learns (or has evolved) to avoid the model (signal receiver), and an edible mimic that evolves to resemble the model. You can easily see how an edible species would leave more offspring if it accumulated mutations that made it resemble the model, for it would be avoided by the predator more often. Here’s one example: a harmless and edible fly that mimics a bee, almost certainly to avoid bird predation:

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Source: The Nature Observer’s Journal

The second form of mimicry I’ve often discussed is Müllerian mimicry, in which a group of easily identifiable species, all of them toxic or unpalatable, evolve to “converge,” or resemble each other. Such mutual resemblance gives members of the similar-looking species an advantage, for it’s easier for the predator to learn and avoid one pattern rather than several.

Here’s one example, a group of butterflies in the genus Acraea,  Such mimicry needn’t just involve one group of organisms: similar patterns have been described in mimicry “rings” that involve butterflies, beetles, “true bugs” (Hemiptera), and wasps. All of them can achieve some protection from predation by adopting similar colors and patterns.

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Source: MimeticButterflies.org

For both sorts of mimicry to evolve, the signal receiver must encounter both model and mimic, so they all have to live in the same area. (There is one scenario in which model and mimic can live in different areas, but I’ll leave you to figure out how that works.)

A classic case of what was thought to be Batesian mimicry involves moths or butterflies that look like bees or wasps. The resemblance between model and putative mimic is sometimes astonishingly precise. Here’s a moth that for all the world looks like a wasp. Note all the features of the moth that have evolved to resemble the wasp: the wings are clear, are folded longitudinally like those of a wasp, the body is narrow, striped and colored like that of a wasp, and has a very thin constriction between thorax and abdomen (“petiole”) that regular moths don’t have. Believe me, if you saw this, you would mistake it for a wasp and avoid it, just like predators do.

THIS IS A MOTH!

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(From Boppré et al. paper): Not a stinging wasp but a harmless day-flying moth (Lepidoptera: Erebidae: Arctiinae: Pseudosphex laticincta). These moths are “sheep in wolves’ clothing” and simulate their predators—this is not necessarily a case of classical mimicry. Photograph © courtesy of Hannes Freitag (FZE)

But this may not be a classic case of Batesian mimicry, or so claims a new paper in Ecology and Evolution by Michael Boppré et al.  (reference below, free download). There may not be a “signal receiver” that has learned to avoid the moth because it resembles a stinging wasp. Rather, as Boppé et al. suggest, the predator is said to be the “model” itself: a predatory wasp, and the scenario involves innate avoidance rather than learning.

Here’s how it works. The wasps in question, yellowjackets (wasps in the genera Vespula and Dolichovespula) are abundant social insects that make their living as predators (and scavengers) of other insects.  Here’s a yellowjacket attacking a praying mantis:

We know that on their hunting expeditions yellowjackets won’t attack members of their own species; that, after all, would be a maladaptive behavior, since members of your own species may well be members of your own nest. Further, if you attack another yellowjacket, you yourself could get stung to death.

Besides this observation, the authors noted that the mimicry between palatable moths like the one above and the yellowjackets is astonishingly precise: far too precise, they say, to have evolved to fool birds. (They argue that birds will avoid a prey simply by longer-distance recognition of general patterns like color and striping.)  Here’s are two more examples of the precision (read the caption); the first photo shows two species of wasps and a moth. Can you tell which is which? (Hint: the antennae are a giveaway).

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(From paper):  Two species of eusocial wasps and a “wasp-moth” from Costa Rica—but which is which? The moth simulates not only the striped abdomen but also transparent and folded wings, petiolate abdomen, and patterned thorax of the wasps. Its true identity is revealed by its proboscis and pectinate antennae. (a) Mischocyttarus sp., (b) Polybia sp. (Hymenoptera: Vespidae), (c) Pseudosphex laticincta (Lepidoptera: Erebidae: Arctiinae)

And here’s another example of precise mimicry of body shape, color, and pattern. Again, inspection of the antennae shows that the wasp is on the left and the moth on the right:

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(From paper): case of accurate resemblance between a black eusocial wasp (a, Hymenoptera: Vespidae: Parachartergus apicalis) and a neotropical moth (b, Lepidoptera: Erebidae: Arctiinae: Myrmecopsis strigosa), showing the very same simulated features (abdomen, wings, petiole, thorax) discussed for yellow jackets (Figures 2 and 3). This exemplifies that the hypothesis discussed at length for yellow jackets can also be applied to understand accurate simulation of other color patterns. (The wing folding of the moth is incomplete in this photograph.)

The authors’ hypothesis is both clever and simple–so clever and simple that, in fact, I’m surprised that nobody has suggested it before. It is this:

The moths aren’t mimicking the wasps to fool birds; they’re mimicking the wasps to fool the wasps themselves. That’s because the wasps are predators, and will avoid attacking any insect that looks very similar to their nestmates, because you don’t get a food reward by attacking another wasp. 

In other words, the predatory wasps have an innate aversion toward attacking animals whose appearance they’ve evolved to recognize (presumably because they’re eusocial and live in groups where they help each other); and the “model” takes advantage of this, evolving a precise resemblance to the wasp. The authors like this hypothesis because they think that the wasps scrutinize potential prey much more closely than do birds, a trait that “forces” the models to evolve a very precise resemblance—a resemblance that, they say, couldn’t be explained by the scrutiny of birds alone.

The difference between this and “classic” Batesian mimicry is that a.) the signal receiver and the model are the same species: the wasp; and b.) there is no learning involved: wasp recognition of its self-pattern is an evolved trait, probably evolved the same way most animals develop a recognition of members of their own species.

This hypothesis is clever, and when I read the paper I had the same reaction that Thomas Henry Huxley had after reading Darwin’s On the Origin of Species: “How extremely stupid not to have thought of that!” After all, we’ve known about mimicry since shortly after The Origin was published, and yet it took people over 150 years to come up with this simple idea.

Yes, it’s a clever idea, and may well be right, especially if the chance of predation by a wasp is much higher than by a bird. But is the hypothesis true? What’s the evidence for it?

Sadly, there isn’t much yet beyond the authors’ speculation that mimicry this precise could not be mediated by visual bird predation, but requires the acute vision of a wasp. Further, the authors describe yellowjacket wasps preying on moths in the wild but not on other yellowjackets or on moths mimicking yellowjackets. (This leads to the idea that the similar black-and-yellow striped pattern of different wasp species could be a case of “quasi-Müllerian” mimicry, but one in which they’ve evolved to resemble each other because it’s injurious to attack each other. In this case again, there is no predator learning involved, nor any signal receiver.)

Now the authors’ hypothesis doesn’t rule out that this is also a case of true Batesian mimicry: that selection occurred both by wasps avoiding attacks on prey that look like themselves, and also by birds having learned to avoid attacking anything that looks like a wasp. Both factors could be involved, and I suspect are. But how do you test whether yellowjacket predation was a driving force of selection?

The authors note that it’s hard to test that:

However, it seems likely that (2) general, visually oriented predators such as birds are additional selecting agents shaping similarity of other insects to wasps. Thus, in “wasp mimicry” two sorts of selecting agents (with different life-styles) are plausibly acting. Then, the relative abundance of predatory wasps (individuals and species) that recognize look-alikes as non-food versus various predators that learn through experience could explain the accuracy and non-accuracy of potentially profitable mimics. We would observe combinations of innate protective masquerade and learned Batesian and Müllerian mimicry, and recognize different sorts of selecting agents, namely those which respond innately and those which learn by experience. Thus, accurate mimics would be protected against both wasps and birds, whereas inaccurate mimics would be protected mainly against educated birds (which to a certain extent generalize a learned pattern) but not so well against wasps. In theory, proof could only come from studies in habitats where wasps prey on insects but learning predators do not occur—however, such places cannot be found.

But you could think of other tests. For example, put mimetic moths and non-mimetic moths in a cage with yellowjackets. If the mimetic moths are attacked less often, that would support the authors’ hypothesis. Or you could efface certain parts of the mimics’ pattern with paint and see if they get attacked more often.  I’m sure that, with some thought, other tests are possible. Here’s one I just thought of: if a palatable moth resembles something that doesn’t attack it, like a bumblebee, then it’s likely that this is a case of true Batesian mimicry rather than the new form of mimicry (not given a new name) described by Boppré et al. And in such cases you’d expect the mimicry to be less precise than that of yellowjacket mimics, because (according to the authors), birds don’t need to look as closely at potential prey as do yellowjackets.

A final point: the authors note that sometimes the moths themselves may be toxic: some species eat plants and, like monarch butterflies, sequester the unpalatable alkaloid compounds in their bodies. If this were the case (and that would be relatively easy to test), then the mimicry becomes more complicated, and harder to understand. Why wouldn’t the wasp predators evolve to recognize whatever pattern a toxic moth had in the first place—that is, why did such precise mimicry evolve? Perhaps in this case it would prevent the initial strike of the moth that kills the mimic, even if the wasp then recognizes that the mimic isn’t fit to eat. Or, the authors could be wrong about how birds recognize potential prey: birds may be more sharp-sighted than we think.

At any rate, this is a novel hypothesis and well worth considering in the case of mimics that look like their predators. I was once fooled by one of these moths that had gotten into my house in Maryland, and I had to get my fly net to catch it as I was afraid of getting stung. Only after I caught it did I realize the ruse. If a moth can fool someone who works with insects, it’s likely that it can fool a predatory wasp or bee.

h/t: Matthew Cobb

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 Boppré, M., R. I. Vane-Wright, and W. Wickler. 2017. A hypothesis to explain accuracy of wasp resemblances. Ecology and Evolution 7:73-81.