The good news is that although the Pecksniffs at Turner Classic Movies (TCM) have found 18 “problematic”—run when you see that word—movies made between 1920 and 1960, they’re not going to pull them. Rather, as the article from the LA Times below notes, they are going to “reframe them”. That means that they will tell you what parts of the movies are bad in advance. The bad news is that although some of these movies probably should come with a disclaimer, I think they’re overdoing it.
Click on the screenshot to read the article. If it’s paywalled, you can find the same information at other sites by Googling “TCM films”:
Turner Classic Movies has decided not to throw the baby out with the bathwater when it comes to timeless but troublesome movies. The result is “Reframed: Classic Films in the Rearview Mirror,” a new series that kicks off Thursday and runs throughout the month.
Along with screening 18 classics, TCM hosts will discuss what the network calls the “troubling and problematic” aspects of the much-loved flicks, which were released in the 1920s through the 1960s. “The goal is never to censor, but simply provide rich historical context to each classic,” the network said in a statement.
Among the problems: racism, sexism, portrayals of LGBTQ issues and more.
“We’re not saying this is how you should feel about ‘Psycho’ or this is how you should feel about ‘Gone With the Wind.’ We’re just trying to model ways of having longer and deeper conversations and not just cutting it off to ‘I love this movie. I hate this movie.’ There’s so much space in between,” TCM host Jacqueline Stewart recently told the Associated Press.
Stewart and fellow hosts Ben Mankiewicz, Dave Karger, Alicia Malone and Eddie Muller will take turns participating in roundtable introductions that touch on the history and cultural context of the films. They will also prep new viewers about moments they might find upsetting.
“Our job is not to get up and say, ‘Here’s a movie that you should feel guilty about for liking,’” Mankiewicz told the Hollywood Reporter. “But to pretend that the racism in it is not painful and acute? No. I do not want to shy away from that. This was inevitable. And welcomed. And overdue.”
Below are all the movies that will be “Reframed” once a week through the end of this month, beginning each Thursday at 5 p.m. Pacific. This is one situation where it’s good to be a night owl or own a DVR, because the films run one after the other — and even overnight. [see below]
Here’s the video discussing the “problematic” content of the TCM films. Again, the video is quite good at defending the need to show these movies, and why (and it’s not just because we need to come to terms with the moral degradation of the past). I’ll put the list of the movies below, but you can get an idea of many of them from this 6-minute video: “Gone with the Wind,” “Seven Brides for Seven Brothers”, “The Jazz Singer”, “Stagecoach”, and “Breakfast at Tiffany’s”. Curiously, three of the movies I recognize, “Rebel Without a Cause”, “No Way Out”, and “Lolita”, aren’t being shown by TCM, or at least aren’t on the list, but do appear in the video, implying that they need to be “reframed”. Perhaps that’s coming when they’re shown in the future.
Well, you know, I don’t have huge objections to this “framing”, but it still irks me a bit, and I’m not sure why. I recognize that there should be guidelines or content warnings, like “Note: racism, blackface, men hitting women, Native American being aggressive,” and so on. But beyond that, do we really need someone to tell us, and in detail, exactly why the movies are problematic? Why not put the discussions online so people can read them if they want to? Will there be any dissent among the discussants? I doubt it: they must convey a unified moral message.
I guess it seems a bit patronizing to me to have other people tell me why the movies are considered offensive. The racism in the Sidney Poitier movie shown in the video above (“No Way Out,” curiously absent from the list given) is clearly meant to be an offensive display of bigotry, and do we really need to say, “When that guy spits in Poitier’s face, it’s racist”? The movie was intended to show racism in a negative light. That’s different from the “acceptable” racism in movies like “The Jazz Singer”.
Here’s the list of problematic movies; groups of them will be shown on a given night. If you’ve seen some of these movies, you might want to guess what is “problematic” about them. I’ve put asterisks next to the ones I’ve guessed, and question marks next to ones that I’ve seen but can’t guess what’s problematic about them (granted, I haven’t seen some of these in years, and, given what I know about the Zeitgeist, I’m sure I could spot the bad bits upon rewatching).
- “Gone With the Wind” *
- “Seven Brides for Seven Brothers” ?
- “The Four Feathers”
- “Woman of the Year” ?
- “Guess Who’s Coming to Dinner” *
- “Gunga Din” *
- “Sinbad, the Sailor”
- “The Jazz Singer” *
- “The Searchers”
- “Breakfast at Tiffany’s” [I read what is problematic; otherwise I wouldn’t have been able to guess]
- “Swing Time”
- “Stagecoach” [Ditto for Breakfast at Tiffay’s]
- “Tarzan, the Ape Man” ?
- “My Fair Lady” ?
- “The Children’s Hour”
- “Psycho” ?
- “Dragon Seed”
And a note about other problematic films and television shows Entertainment:
Other networks and streamers are also finding ways to address these issues within their respective libraries. In June, HBO Max pulled Gone with the Wind in response to criticism from 12 Years a Slave director John Ridley who said the multiple Academy Award-winning film “glorifies the antebellum south.” It was re-released that same month with a new introduction.
The recent debut of The Muppet Show on Disney+ also arrived with warnings on nearly two dozen episodes due to “negative depictions.”
Does anyone have any objections to what Turner is doing? Do you think the films need “framing” via a seemingly extensive discussion? If not, is there a better way to single out what’s “problematic”?