This Independent article by Liam Evans (click on screenshot below; I’ve also saved it in the Wayback Machine here), is a strongly worded piece by an apparently woke person of color offended by “reactionary comedy”, with the tirade supposedly triggered by a Fin Taylor show that included an anti-#MeToo sketch called “When Harassy Met Sally”. (This appears to be a real sketch by Taylor.)
A few quotes from author “Liam Evans”:
Satire is a powerful tool. Tyrants have always feared ridicule, because there is nothing more likely to undermine authority than the sound of derisory laughter. But male comedians like Taylor taking pot shots at women who have had the courage to speak out can hardly be described as “punching up”. As a comedy aficionado, I’ve seen a disturbing rise in this kind of victim-bashing on the circuit over the past few years. It’s got to the point where I have to research the acts on any given lineup very carefully before booking a ticket.
. . . “Alt-right comedy” might sound like an oxymoron, but the immense popularity of internet “sh*tposters” such as PewDiePie and Sargon of Akkad has persuaded some comedians that there is money to be made from belittling social justice.
Speaking as a person of colour in an irredeemably racist culture, I’m sick of being accused of hypersensitivity by straight white men who are blind to their own privilege. What makes them believe that comedy should just be for them?
The hallmark of a good satirist is the ability to expose the follies of the powerful and the corrupt, not to embolden them at the expense of those of us who are already marginalised.
After decrying Ricky Gervais and Dave Chapelle, “Evans” goes on:
Perhaps it’s time for the comedy community to reflect. Danish comedian Sofie Hagen has successfully toured with “reduced-anxiety” performances in which all toilet facilities are gender-neutral and audience members can contact her in advance if they have particular needs.
The success of Hannah Gadsby’s game-changing masterpiece Nanette has also proven beyond doubt that woke comedy is commercially viable.
And yet the likes of Gervais, Chappelle and CK still fail to recognise that they no longer have to rely on shock tactics to appeal to a modern audience. As role models to a new generation of comics, they have a responsibility to be mindful of the damage they can do to an already divided society.
I would go so far as to argue that some of the jokes I have heard on the comedy circuit of late constitute actual hate speech.
. . .The battle for equality will not be won by activists alone. We all need to play our part. Sometimes this will mean risking the accusation of being a “prude” or a “killjoy”, but this is surely a price worth paying.
Such tactics are designed to silence us, to make us feel ashamed for standing up for those who might not be able to stand up for themselves.
It takes an astonishing degree of entitlement to claim the right to free speech without accepting the consequences of one’s choices. In a country poised on the brink of a far-right resurgence, is a cheap laugh really worth the risk? The kind of jokes that reinforce negative stereotypes and normalise bigotry should no longer be tolerated in our society. This really isn’t too much to ask.
Okay, so we have a humorless Pecksniff decrying free speech and “alt-right comedy” as instantiations of “hate speech”. It also includes the word “woke.” It sounds a bit like Titania McGrath, doesn’t it? Or does it? After all, often Titania’s satire works because it’s very close to the real thing, if not indistinguishable from it.
Well, it’s certainly Titania, who apparently has tricked The Independent. Here’s what “she” said (Titiana is the alter ego of Andrew Doyle), and if you go to the original article, her “coincidence” is true.
This important article calls for comedians to be investigated by police for hateful jokes.
I can assure you that it is pure coincidence that if you take the 4th letter of each sentence it spells out “Titania McGrath wrote this you gullible hacks”.https://t.co/nBozhFLpGp
— Titania McGrath (@TitaniaMcGrath) December 11, 2019
So how did a reputable newspaper get fooled by someone who doesn’t exist? Probably because Titania’s hoax was ideologically compatible with the editorial view of The Independent, and claimed to be written by a “person of colour”. Shame on them for not doing their fact-checking! Tip to newspapers: always verify the existence of a new author, or any author!
Because The Independent is likely to pull the piece, I archived it at the link above.