by Greg Mayer
She’s gone. I was at the Field Museum on Wednesday for the first time since the previous month, and the removal of Sue the Tyrannosaurus rex has been completed.

Viewed from the balcony above, visitors walk through Stanley Field Hall, seemingly unaware of the ghostly white outline of Sue’s now departed plinth.

A sign explained where Sue will eventually show up.
Sue’s actually not gone away entirely, for the second floor balcony display, featuring Sue’s real skull, remains in place. [JAC: the skull was always up there as it was too heavy to mount on the skeleton downstairs.]
The second floor display also includes touchable, life-size, bronze models of various parts of Sue, including the (relatively) tiny forearm. Devotees of the concept of unity of type, and Neil Shubin‘s Your Inner Fish in particular, will recognize the “one bone, two bones, many bones” pattern found throughout the tetrapod vertebrates and their piscine forebears.

A closeup of the digits; the two distalmost phalanges of the outer (lower, in this photo) digit were among the few bones missing from Sue’s skeleton, and the ones in the model are based on Albertosaurus, a related theropod dinosaur.

From up on the balcony, I could also get a better look at the model of Pteranodon longiceps hanging from the ceiling.

And zooming in a bit.
Does the position of this model mean that Pteranodon is Ceiling Reptile?